You make good points. After I hit "send" I remembered that we're using a
synth in the group to cover the accordion part. I'll tune to that (not the
accordion sound though!)

On Wed, Jul 7, 2010 at 11:09 AM, dhbailey <
dhbai...@davidbaileymusicstudio.com> wrote:

> Ryan wrote:
>
>> If there's no oboe in the orchestra (pit orchestra), what's the next best
>> choice to tune to? Muted trumpet? Ha. In all seriousness; Clarinet? Flute?
>> According to the League of American Orchestras, The penetrating tone of
>> the
>> oboe is easy for all players to hear, and its ability to sustain pitch is
>> very secure.<
>> http://www.americanorchestras.org/utilities/about_the_orchestra.html>
>>
>> By
>> those criteria, I should pick the instrument in the group that is easiest
>> to
>> hear and is most stable. Of course, the volunteer community musician
>> playing
>> that instrument has to be capable to sustain the pitch!
>> I doubt there's one clear answer, just wondering what you all do in
>> similar
>> situations.
>>
>
> Many amateur bands use clarinet because the principal clarinetist is more
> capable of sustaining the pitch than the oboist.
>
> Seriously, though, why doesn't everybody have their instrument already
> tuned when they unpack it and start warming up?  It's not as though
> perfectly capable automatic tuners are beyond anybody's financial reach
> these days.
>
> One more thought -- depending on the keyboard you're using, you might need
> to use that as the standard as it may be higher or lower than the standard
> pitch and so people should tune to that, so make sure that whomever you
> select to sound the tuning note for the group to use, have them match their
> pitch with the keyboard, if one is being used.
>
>
> --
> David H. Bailey
> dhbai...@davidbaileymusicstudio.com
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