No, you didn't miss something Cecil. It's a difference between considering copyrights and patents as property, which can be traded, sold, leased, assigned, rented, or otherwise treated like any other property, and considering them a somehow philosophically belonging to their creators and to no one else's. Under U.S. law they are property, period, end of statement. But some people get upset when they are actually TREATED as property.

I also have to point out the confusion that comes from using the term "the artist's rights." Who is "the artist" in that statement? One usually assumes that it means the recording artist, whose name is always prominently known, who very well may not be (and in the past never was!) the actual composer, lyricist, or songwriter. The composer's rights are protected by law, but the same law allows them to be sold or assigned. The recording artist's rights are protected ONLY by contract, and may range from 100% to zero according to how that contract is written. That's where the clever lawyers come in. And their job is to know and understand the law and to manipulate it to their clients' advantage, as it has been since the 15th century!!

John




At 10:23 AM -0400 7/10/10, Cecil Rigby wrote:
I'm not trying to pick a fight here, just understand----

WHY, exactly, is it offensive in any degree that anyone can (having enough money and a willing seller) become a holder of copyrights?

The individual artist's rights are NOT abridged just because someone may buy their publisher's library. The new owner is still bound by the original contractual agreements. That the artists weren't astute enough when the contracts were signed, or that the industry may've taken advantage of them, are different issues altogether.

Or did I miss something?

-Cecil Rigby

----- Original Message ----- From: "Nigel Hanley" <i...@nigelhanley.com>

[snip]

That Paul McCartney could own Buddy Holly's music, and more offensively, Michael Jackson could buy the Beatles' library shows the dichotomy between the artist's rights and the so-called copyright holder's rights.

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John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts & Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
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http://www.music.vt.edu/faculty/howell/howell.html

"We never play anything the same way once."  Shelly Manne's definition
of jazz musicians.
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