Context being key was why I was looking for examples in rep. BTW I found
that very B in La Valse in the bar before reh. number 66. (But it also looks
like an arco indication may be missing 4 before 66.)

I had a friend of mine do it for me yesterday. It didn't seem to be a
problem. Obviously it's all attack and no decay, but there was both plenty
of sound and plenty of pitch. I think it will work well for me. I want to
add zing to the attack on a flute sfz note.


On Fri, May 13, 2011 at 1:16 PM, John Howell <john.how...@vt.edu> wrote:

> At 10:30 AM -0500 5/13/11, Robert Patterson wrote:
>
>> I'm curious to know if the collected wisdom of this list knows of examples
>> in orchestral rep. of violin pizz. notes of b''' (5 leger line-b) or
>> higher.
>> Obviously, the closer to standard rep., the more likely I am to have the
>> score and/or recording.
>>
>> I have googled references to Berlioz having written a'''. This seems like
>> a
>> question that Gardner Read's excellent "Thesaurus of Orchestral Devices"
>> might answer, but it doesn't specifically address the question.
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>
>
> Perhaps that's because, with respect, it's a meaningless question. Write
> the notes you want and we will play them.  You might not like the SOUND you
> get, of course, just as I would probably never write for the top octave of
> the piano, but there is no theoretical limit to the highest range on the
> violin.  And pizz. is not really a special effect at all.
>
> Just don't write anything below a small g!!!
>
> (And yeah, I know it's been done, but scordatura was a lot easier in the
> days of gut strings than it is today.)
>
>
> John
>
>
> --
> John R. Howell, Assoc. Prof. of Music
> Virginia Tech Department of Music
> College of Liberal Arts & Human Sciences
> Blacksburg, Virginia, U.S.A. 24061-0240
> Vox (540) 231-8411  Fax (540) 231-5034
> (mailto:john.how...@vt.edu)
> http://www.music.vt.edu/faculty/howell/howell.html
>
> "We never play anything the same way once."  Shelly Manne's definition
> of jazz musicians.
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