Hi Chuck,

Yes, I often put in rests under slash staff styles as you do, to open up some 
more space for chord symbols (they never space properly when I include them in 
Music Spacing). You are absolutely right that this method of adding horizontal 
space to a measure is the most predictable way to do it, and it survives a 
respace.

I'm glad you are so at ease with the push and pull of discussions here. It 
makes things easier to hash out.

Best

Christopher


On Fri Mar 21, at FridayMar 21 9:18 PM, Chuck Israels wrote:

> Hi Christopher,
> 
> I must not have explained myself clearly, or maybe I wasn't thinking clearly 
> (more likely).  Sometimes I answer too quickly - wanting to be helpful and 
> then discovering that I have been just the opposite!  
> 
> Since I am in the habit of putting quarter rests behind slashes - a holdover 
> from the early days when you needed to do all kinds of machinations to get 
> slash or rhythmic notation, I guess I haven't had occasion to try simply 
> applying the staff style to see if Finale would recognize that as an "entry' 
> and not make the affected measures part of a MM rest.  I use the rests hidden 
> behind the slash staff style to control the spacing - putting in quarter 
> rests most of the time and smaller values when I need to make room for chords 
> with long suffixes - or if there are chords on every beat that would 
> otherwise crash.  
> 
> As a matter of fact, when I run into spacing problems that I don't know how 
> to control any other way (when I need more space than Finale will give me but 
> don't want to spread measures over more lines), I put hidden rests in another 
> layer - rests that "push" the music further apart.  Are there better ways to 
> do this I am missing?  It used to be that dragging elements and bar lines to 
> space them by hand was unreliable because Finale would re-space things back 
> to its defaults after you closed and re-opened the part.  Don't know if that 
> remains the case, but the hidden rests seem to be reliable.
> 
> And it's OK Christopher, I try not to lose self respect even when I find I've 
> been wrong!  You can correct me any time.
> 
> Fond regards,
> 
> Chuck
> 
> 
> On Mar 21, 2014, at 5:35 PM, Christopher Smith 
> <christopher.sm...@videotron.ca> wrote:
> 
>> Hi Stephen,
>> 
>> With total respect for Chuck and his knowledge, Finale does NOT need a 
>> measure to have an item in it to prevent it from creating a multimeasure 
>> rest. The staff style alone would be sufficient.
>> 
>> My previous answer is almost certainly the solution, and it is a one-step 
>> solution. You won't have to do it several times to the same document. This 
>> should save you quite a bit of work.
>> 
>> Christopher
>> 
>> 
>> On Thu Mar 20, at ThursdayMar 20 3:24 PM, Stephen Cronin wrote:
>> 
>>> Thanks, Chuck and Christopher, for the advice.
>>> 
>>> Unfortunately it's an orchestral ballet score with lots of these measures 
>>> spread (semi-randomly) across many parts. (Playback is not needed apart 
>>> from quick proof reading.) It will mean each instance must be dealt with 
>>> individually.
>>> 
>>> Learnt something for the future =(
>>> 
>>> Stephen
>>> ________________________________________________________________________________
>>> 
>>> ars est longa,
>>> vita brevis
>>> 
>>> Stephen Cronin's home page: http://www.stephen.cronin.name
>>> {real+imagined} http://www.real-imagined.com.au
>>> 
>>> 
>>> 
>>> 
>>> 
>>> 
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>> 
>> 
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> 
> Chuck Israels
> 8831 SE 12th Ave.
> Portland, OR 97202-7097
> 
> land line: (503) 954-2107
> cell phone: (360) 201-3434
> 
> <www.chuckisraelsjazz.com>
> 
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