Hi Robert,

Perhaps my memory is playing tricks on me? But I definitely had a solution in 
earlier versions that did not involve expressions. I'll have to go back to an 
old file and see what I did!

Cheers,

- DJA
-----
WEB: http://www.secretsocietymusic.org

On Apr 13, 2014, at 11:58 AM, Robert Patterson <rob...@robertgpatterson.com> 
wrote:

> Darcy,
> 
> I don't know of a way better than using an expression. That is, hiding the
> clef change in the part with a staff style and putting an expression in its
> place. (Once you get to a barline you can of course use a staff style for
> the clef.) I do this all the time, and it doesn't see particularly more
> onerous than any of the other hoops we jump through for linked parts.
> 
> The part of this that surprises me is your statement that transposition
> styles could be applied to partial measures before Fin12, because that was
> never my experience.
> 
> Robert
> 
> 
> 
> On Sun, Apr 13, 2014 at 10:40 AM, Darcy James Argue <djar...@icloud.com>wrote:
> 
>> Hi Jan,
>> 
>> Playback is not the issue. I need a 8vb treble clef to appear in the score
>> and a regular treble clef to appear in the part, for a partial measure.
>> 
>> This is standard recommended practice for treating octave-transposing
>> instruments in a concert pitch score.
>> 
>> The passages in question do need to be in treble clef, but regardless, it
>> would be the exact same problem in tenor clef. (Of course, I'd have to
>> create the 8vb tenor clef as a custom clef but that is not the problem
>> here.)
>> 
>> Cheers,
>> 
>> - DJA
>> -----
>> WEB: http://www.secretsocietymusic.org
>> 
>> On Apr 13, 2014, at 5:46 AM, Jan Angermüller <j...@angermueller.com> wrote:
>> 
>>> Hi Darcy,
>>> 
>>> use a mid-measure clef and then assign
>>> a playback expression to the first note in the new clef
>>> that sets transposition to whatever you need (0, -12, 12).
>>> Repeat the same when switching back to bass clef.
>>> 
>>> But do you really need to change the transposition ?
>>> In standard contrabass notation the treble clef
>>> is also read as 8vb, just like the bass clef.
>>> So if you assign a standard bass clef (without 8vb)
>>> and a standard treble clef (without 8vb) and set the
>>> transposition settings in score manager to "Down octave".
>>> Everything should be clear for the bass player and
>>> you don't need any manual transposition changes.
>>> 
>>> Using an 8vb bass clef and a treble clef without 8vb,
>>> but that playsback as 8vb, seems inconsistent to me
>>> and also not clear for the bass player.
>>> 
>>> And last but not least, treble clefs rarely appear in
>>> contrabass notation. Usually the tenor clef is used
>>> for high notes. Only the highest flageoletts or
>>> Bottesini style arpeggios are usually written in treble clef.
>>> 
>>> Hope this helps.
>>> 
>>> Jan
>>> 
>>> Am 13.04.2014 08:08, schrieb Darcy James Argue:
>>>> Hello,
>>>> 
>>>> I'm working with a score in concert pitch, where the contrabasses are
>> notated with the 8vb bass clef in the score, but a regular bass clef (as
>> usual) in the part. This is all fine and well and easy to set up in the
>> Score Manger (with a transposition and Set To Clef).
>>>> 
>>>> The problem arises when you need to change clefs to an 8vb treble clef
>> in the score, showing as a regular treble clef in the part, and this clef
>> change occurs mid-measure. In Finale 2011 in older, you could simply apply
>> a staff style with the same transposition but Set To Clef assigned to
>> treble clef -- but Fin2012 and 2014 won't allow you to apply a transposing
>> staff style to a partial measure.
>>>> 
>>>> Given that, what is the best workaround? There is one I can think of
>> involving clefs as expressions but I'd prefer to avoid going down that
>> rabbit hole if I can avoid it.
>>>> 
>>>> Cheers,
>>>> 
>>>> - DJA
>>>> -----
>>>> WEB: http://www.secretsocietymusic.org
>>>> 
>>>> 
>>>> 
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>>> 
>>> 
>>> 
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>> 
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