I would add to this that in the case of Mozart and Haydn, unless it says Bb
basso it is Bb-alto. (In the 19th century the reverse is true.) I also
think that Horn C-alto becomes more common as you move earlier in the 18th
century. So London Haydn Horn in C is basso but Esterhazy Haydn Horn in C
is (or at least may be) C alto. If it isn't clearly marked, an analysis of
the voicing of the horns with the other instruments is probably necessary.


On Wed, Jan 28, 2015 at 2:59 PM, Kenneth Moore <k...@mooremusic.org.uk>
wrote:

> On 28/01/2015 11:04:25 , Martin Banner wrote:
>  > I am currently preparing a modern performing edition of an 18th Century
>  > Italian sacred work for chorus, strings, oboes and two horns.
>  > All you horn specialists (and I know there are some of you out there who
>  > have been of great help to me in the past), please weigh in on this
> and help
>  > me figure this out.
>
> There is a good article at
> http://www.compositiontoday.com/articles/natural_horn.asp, from which I
> quote:
>
>   * Horn in C alto—reads concert pitch (like a C trumpet)—very bright sound
>   * Horn in B—not used
>   * Horn in B-flat alto—concert pitch sounds down a whole step from the
>     notated pitch
>   * Horn in A—sounds down a minor third—bright but more centered
>   * Horn in A-flat—rare
>   * Horn in G-sounds down a perfect fourth
>   * Horn in F-sharp—rare
>   * Horn in F—notated just like the modern horn
>   * Horn in E—sounds down a minor sixth
>   * Horn in E-flat—sounds down a major sixth—full, rich tone color
>   * Horn in D—sounds down a minor seventh
>   * Horn in D-flat—rare
>   * Horn in C basso—sounds down an octave from notated pitch—dark tone
>   * Horn in B—rare
>   * Horn in B-flat basso—sounds down a major ninth-- very dark, almost
>     muffled sound
>   * Horn in A basso-- rare
>
> I have never met Horn in C alto and would always assume that "Horn in C"
> meant basso unless there was some evidence to the contrary. Horns in Bb
> basso occur in Mozart, Brahms, and R Strauss.  I have only ever met A
> and Ab basso in Italian music (Verdi Requiem). Again I would interpret
> "Horn in A" or "Horn in Ab" as alto in music of any other nationality.
>
> Ken Moore
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