Oh yeah, you could do that. I don't think in chord symbols, and I try not to think in 12tET, so the #9 kludge didn't occur to me.
If I were writing polychords for "continuo" in a big band context, I'd probably use 2 instruments (Guitar and piano maybe) and split the triads between them, so they were timbrally separated. Otherwise, they aren't really polychords, but extended tertian structures (not that there's anything wrong with that...) On 2/15/16 10:16 AM, Craig Parmerlee wrote: > On 2/15/2016 8:58 AM, Jeffrey Quick wrote: >> Things could be >> dicey if you had both major and minor 3rds (as in an Eb/C pentad). > Isn't that simply C7#9? > > Conventionally the major (E) is voiced a major 7th below the minor (Eb). > > _______________________________________________ > Finale mailing list > Finale@shsu.edu > https://lists.shsu.edu/mailman/listinfo/finale > > To unsubscribe from finale send a message to: > finale-unsubscr...@shsu.edu _______________________________________________ Finale mailing list Finale@shsu.edu https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: finale-unsubscr...@shsu.edu
