Good tip Jef. I am in the habit of whenever I copy/paste from another file, I immediately go into the Expression dialog and delete the latest dupes. I even have macros that automate the process somewhat to reduce the tedium of this operation. I repeat the same process with articulations. It’s an obscene PITA, but I do it to keep the libraries from becoming bloated. I worked on an opera several years ago that had 1800 measures in the first act and 1600 in the second. The client kept making edits that were best resolved via C/P. The libraries were a complete cluster-f*** and I spent WAY TOO MUCH TIME cleaning things up. So your tip would help matter some.
Hopefully someone can help with this. I don’t ever see MM addressing this issue. Sigh. J D Thomas ThomaStudios > On Oct 4, 2019, at 9:15 AM, SN jef chippewa <shirl...@newmusicnotation.com> > wrote: > > > don't know of any way to do this as you would like it, but i usually edit the > object to make it 72 or 120 point (depending on the percentage reduction of > the systems) and flip through the score pages to locate instances. > > -- > > neueweise -- fonts for new music (and traditional) notation > http://newmusicnotation.com/fonts.html > > shirling & neueweise | http://newmusicnotation.com > new music notation + arts management + translation > [FB] http://facebook.com/neueweise | [TW] http://twitter.com/neueweise > > _______________________________________________ > Finale mailing list > Finale@shsu.edu > https://lists.shsu.edu/mailman/listinfo/finale > > To unsubscribe from finale send a message to: > finale-unsubscr...@shsu.edu > _______________________________________________ Finale mailing list Finale@shsu.edu https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: finale-unsubscr...@shsu.edu
