My favorite pieces, the one that reconciled me to the many others,
which I had been amused by but didn't necessarily "get," were the
tapestries, done in collaboration with weavers Wiener and Export. Also
the fecund assemblages. One of a barroom with a "behind the scenes"
backside. Another with a radio intriguingly tuned to a station
reporting local current events, weather and traffic.
Amazing how the organic pieces were so early, or perhaps the repeats
and variations we see now are so "late." His influences on and by are
palpable.
There's a good flash of the exhibit at
http://moma.org/exhibitions/2004/dieterroth/rothtime.html
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