In a talk I heard P. Adams Sitney give in Berlin a few years ago, it sounded 
like he was doing some revisionist history to credit Marie Menken’s “Arabesque 
for Kenneth Anger” with being the film that broke from the psychodrama 
tradition.  If that’s the case—and why not?—then that seems a MAJOR mile marker 
of a-g film history.

(Still not going to pretend it makes any sense to name just 3 films.)
Roger

On Mar 28, 2015, at 10:22 AM, 
o...@thenowcorporation.com<mailto:o...@thenowcorporation.com> wrote:

I AM a feminist, and
here are three essential films, that answer the question"
'What are the 3 Essential Films that you would show Artists on their first 
foray into the Moving Image Realm ?'
Maya Deren
Meshes of the Afternoon
Mary Ellen Bute
Polka Graph
Shirley Clarke
Bridges Go-Round

Owen's iphone


On Mar 28, 2015, at 9:01 AM, Cari Machet 
<carimac...@gmail.com<mailto:carimac...@gmail.com>> wrote:

no no only white men make important work

why is a very old work of a woman the only woman filmmaker being hailed here

peggy ahwesh anyone? https://vimeo.com/user2889626

and there are tons of euro ones fuck do we need a comprehensive list of woman 
filmmakers posted somewhere on the net to point to when this shit happens? 
wikipedia?

i am no feminist but this seems really bad


On Sat, Mar 28, 2015 at 1:10 PM, Kim Knowles 
<kim.know...@edfilmfest.org.uk<mailto:kim.know...@edfilmfest.org.uk>> wrote:

The problem with this list, as is often the case, is that women filmmakers are 
written out of the 'canon'. Please include Maya Deren! (as per Vicky Smith's 
post)

________________________________
From: FrameWorks 
<frameworks-boun...@jonasmekasfilms.com<mailto:frameworks-boun...@jonasmekasfilms.com>>
 on behalf of Gene Youngblood <ato...@comcast.net<mailto:ato...@comcast.net>>
Sent: Friday, March 27, 2015 6:56 PM
To: Frameworks Listserv
Subject: Re: [Frameworks] What are the 3 Essential Films that you would show 
Artists on their first foray into the Moving Image Realm ?

Three is a severe limitation, but if you insist, one way to get at it is to 
start not with films but with major traditions since mid-century and select 
exemplary works within them. So for example abstract (Brakhage), minimalist 
(Warhol, Wavelength), essayistic (Marker, Farocki, Forgacs). I include 
Brakhage’s lens-captured films in the problematic “abstract."



On Mar 27, 2015, at 11:43 AM, Donal OCeilleachair 
<donalo...@gmail.com<mailto:donalo...@gmail.com>> wrote:

Dear Frameworkers:

I am working on a new film project with the Ealaíontóirí Mhuscraí
(that's Irish for the Muskerry Region Artists Group)

Part of the project will involve film / video making workshops where I will show
them works from experimental film, creative documentary and artists' moving 
image works
as a point of reference and inspiration for their own initial explorations
into the realm of the moving image

I am compiling a short-list of 'Essential' works to show them during these 
workshops
and I would appreciate responses to the question:
'What are the 3 Essential Films that you would show Artists
on their first foray into the Moving Image Realm ?'

I look forward to hearing any suggestions

Le míle buíochas (with many thanks)
--
Dónal Ó'Céilleachair
www.anupictures.com<http://www.anupictures.com/>

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--
Cari Machet
NYC 646-436-7795
carimac...@gmail.com<mailto:carimac...@gmail.com>
AIM carismachet
Syria +963-099 277 3243
Amman +962 077 636 9407
Berlin +49 152 11779219
Reykjavik +354 894 8650
Twitter: @carimachet <https://twitter.com/carimachet>

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