She did it in a darkroom, I think she unloaded the film from a daylight spool onto another daylight spool, used spacers and a spring clamp to hold the tails-out HiCon and the tails-our TRI-X in place on the rewinds and spooled those back, then ran it through the boles in dim light to help guide the alignment. I can write her…
On Dec 5, 2015, at 6:18 PM, Chris G <spy...@gmail.com> wrote: > That's reassuring Nicky! I'll be ready to shoot tomorrow after I shoot and > process the first pass of my mattes, any tips on loading? > > Thanks, > Chris > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
