It's been a while since I've seen Fassbender's Whity, but I remember an
inverted 380 tracking shot focused on the exchange of cash, the moment love
turned to commerce.

On Tue, Feb 23, 2016 at 10:13 PM, salise.hug...@gmail.com <
salise.hug...@gmail.com> wrote:

> Fassbender's Whity (1971).
>
> ----- Reply message -----
> From: "Hardin, Ted" <thar...@colum.edu>
> To: "Experimental Film Discussion List" <frameworks@jonasmekasfilms.com>
> Subject: [Frameworks] 360 degrees
> Date: Tue, Feb 23, 2016 8:27 pm
>
>
> Rainer Werner Fassbinder’s fondness for this technique was on display at
> the Martin Gropius Bau in Berlin last year.  Here’s a list of films that
> were displayed:  “Another room in *Fassbinder – JETZT* is dedicated to
> one of Fassbinder’s favoured formal techniques: the 360 degree tracking
> shot. Scenes from *Rio das Mortes* (1970), *World on a Wire* (1973), *Martha
> *(1973), *Chinese Roulette* (1976), * Berlin Alexanderplatz* (1979/80),
> and *Querelle* (1982) play on a loop on a hanging screen.”
>
> ‘Chinese Roulette’ has my favorite 720 degree tracking shot through glass
> shelves.
>
> The write up:
> http://berlinfilmjournal.com/2015/08/petrified-fassbinder-jetzt-annotated/
>
>
> ‘Martha’  clip: https://www.youtube.com/watch?v=8z0tVsI-63g
>
> Ted Hardin
> Columbia College Chicago
>
> On Feb 23, 2016, at 8:10 PM, Fred Camper <f...@fredcamper.com> wrote:
>
> A handheld 360 movement around two young men kissing in an obvious homage
> to the "Vertigo" kiss appears in Warren Sonbert's first film, "Amphetamine."
>
> Fred Camper
> Chicago
>
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>
>


-- 
Salise Hughes
Artist, Filmmaker, Armchair Anthropologist

http://salisehughes.blogspot.com
https://vimeo.com/user1421998
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