Right! I forgot about that one. He did it by suspending the camera from a 
ceiling fan. The cable wrapped around the fan until it wouldn’t rotate any 
more, then he reversed the direction of the fan and video’d until it wrapped up 
again. He hung the camera so that the orbit wouldn’t be a perfect circle. He 
put the microphone in a trash can so the voices sound distant.


> On Mar 1, 2016, at 5:25 PM, John Muse <jm...@sonic.net> wrote:
> 
> One more, because I'm watching it now!  Bill Viola's Sweet Light: many 360's 
> around a candle in the center of a table. 
> 
> On Feb 24, 2016, at 9:55 PM, Gene Youngblood <ato...@comcast.net> wrote:
> 
>> Thanks again, all, for these suggestions. It seems the subject is of 
>> interest to Frameworkers. We saw Peter Greenaway’s “Eisenstein in 
>> Guanajuato” today. It’s a mess overall, but it does have some very inventive 
>> circular camera moves, all the more interesting for the way they’re edited. 
>> One scene alternates rapidly between 360-degree dollies and pans in one 
>> space, something I hadn’t seen before.
>> 
>> 
>>> On Feb 24, 2016, at 10:04 AM, Salise Hughes <salise.hug...@gmail.com> wrote:
>>> 
>>> It's been a while since I've seen Fassbender's Whity, but I remember an 
>>> inverted 380 tracking shot focused on the exchange of cash, the moment love 
>>> turned to commerce. 
>>> 
>>> On Tue, Feb 23, 2016 at 10:13 PM, salise.hug...@gmail.com 
>>> <salise.hug...@gmail.com> wrote:
>>> Fassbender's Whity (1971).
>>> 
>>> ----- Reply message -----
>>> From: "Hardin, Ted" <thar...@colum.edu>
>>> To: "Experimental Film Discussion List" <frameworks@jonasmekasfilms.com>
>>> Subject: [Frameworks] 360 degrees
>>> Date: Tue, Feb 23, 2016 8:27 pm
>>> 
>>> 
>>> Rainer Werner Fassbinder’s fondness for this technique was on display at 
>>> the Martin Gropius Bau in Berlin last year.  Here’s a list of films that 
>>> were displayed:  “Another room in Fassbinder – JETZT is dedicated to one of 
>>> Fassbinder’s favoured formal techniques: the 360 degree tracking shot. 
>>> Scenes from Rio das Mortes (1970), World on a Wire(1973), Martha (1973), 
>>> Chinese Roulette (1976), Berlin Alexanderplatz (1979/80), and Querelle 
>>> (1982) play on a loop on a hanging screen.”
>>> 
>>> ‘Chinese Roulette’ has my favorite 720 degree tracking shot through glass 
>>> shelves.
>>> 
>>> The write up:  
>>> http://berlinfilmjournal.com/2015/08/petrified-fassbinder-jetzt-annotated/ 
>>> 
>>> ‘Martha’  clip: https://www.youtube.com/watch?v=8z0tVsI-63g
>>> 
>>> Ted Hardin
>>> Columbia College Chicago
>>> 
>>>> On Feb 23, 2016, at 8:10 PM, Fred Camper <f...@fredcamper.com> wrote:
>>>> 
>>>> A handheld 360 movement around two young men kissing in an obvious homage 
>>>> to the "Vertigo" kiss appears in Warren Sonbert's first film, 
>>>> "Amphetamine."
>>>> 
>>>> Fred Camper
>>>> Chicago
>>>> 
>>>> _______________________________________________
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>>> 
>>> 
>>> 
>>> 
>>> -- 
>>> Salise Hughes
>>> Artist, Filmmaker, Armchair Anthropologist
>>> 
>>> http://salisehughes.blogspot.com
>>> https://vimeo.com/user1421998
>>> 
>>> 
>>> 
>>> 
>>> _______________________________________________
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>> 
>> _______________________________________________
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> 
> j/PrM
> 
> *************************************************
> 
> john muse
> visiting assistant professor of independent college programs
> haverford college
> http://www.finleymuse.com
> http://www.haverford.edu/faculty/jmuse
> http://haverford.academia.edu/JohnMuse
> 
> *************************************************
> 
> 
> 
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