For me, one of the most interesting and exhilarating uses of parallel editing in narrative cinema recently is from David Fincher, particularly in THE GIRL WITH THE DRAGON TATTOO and much of the second half of GONE GIRL.
edo On 11/21/17 9:36 AM, Cecilia Dougherty wrote: > Stanley Kubrick’s The Killing - many examples. > > On Mon, Nov 20, 2017 at 9:42 PM Amanda Christie > <ama...@amandadawnchristie.ca <mailto:ama...@amandadawnchristie.ca>> wrote: > > thank you warren… > > on both counts… > of > > A) steering things away from the DWG > ..&.. > B) pointing out how uselessly broad the initial question was. > > please narrow it down kelsey… what are you really after? > > adc > > > > > On Nov 20, 2017, at 8:53 PM, Warren Cockerham > <warrencocker...@gmail.com <mailto:warrencocker...@gmail.com>> wrote: > > > > The problem with Kelsey’s inquiry is it’s much too broad. There > are literally millions of narrative examples in film and television. > Every popular tv show is parallel edited. Instead of listing > millions of examples, is there something more nuanced that you’re > after here, Kelsey? > > > >> On Nov 20, 2017, at 8:45 PM, "o...@thenowcorporation.com > <mailto:o...@thenowcorporation.com>" <o...@thenowcorporation.com > <mailto:o...@thenowcorporation.com>> wrote: > >> > >> yes. and the Baptism scene in The Godfather. > >> > >> owen > >> > >> > >>> On Nov 20, 2017, at 7:38 PM, Dominic Angerame > <dominic.anger...@gmail.com <mailto:dominic.anger...@gmail.com>> wrote: > >>> > >>> look no further than DW Griffith who developed this fully. > >>> > >>> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez > <kelsve...@hotmail.com <mailto:kelsve...@hotmail.com>> wrote: > >>> I'm looking for instances of parallel editing in narrative > cinema, if you please! > >>> > >>> > >>> Thanks, > >>> > >>> Kelsey > >>> > >>> > >>> _______________________________________________ > >>> FrameWorks mailing list > >>> FrameWorks@jonasmekasfilms.com > <mailto:FrameWorks@jonasmekasfilms.com> > >>> https://mailman-mail5.webfaction.com/listinfo/frameworks > >>> > >>> > >>> _______________________________________________ > >>> FrameWorks mailing list > >>> FrameWorks@jonasmekasfilms.com > <mailto:FrameWorks@jonasmekasfilms.com> > >>> https://mailman-mail5.webfaction.com/listinfo/frameworks > >> > >> _______________________________________________ > >> FrameWorks mailing list > >> FrameWorks@jonasmekasfilms.com > <mailto:FrameWorks@jonasmekasfilms.com> > >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > _______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> > https://mailman-mail5.webfaction.com/listinfo/frameworks > > -- > “As from when does somewhere become truly yours?” -- Georges Perec > > Cecilia Dougherty > http://www.ceciliadougherty.com > http://inbetweentheories.com > > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
