This is a very broad question, but I just saw Dunkirk last night and it was an interesting example of parallel editing that kept jumping time, so what you thought was parallel time turned out not to be...sometimes you went back in time, other times forward in time, sometimes you were parallel, and from different points of view. So you never quite knew where you were until it all came together at the end. I am not sure if it really worked, but it was an interesting experiment.
On Tue, Nov 21, 2017 at 9:36 AM, Cecilia Dougherty < cecilia.doughe...@gmail.com> wrote: > Stanley Kubrick’s The Killing - many examples. > > On Mon, Nov 20, 2017 at 9:42 PM Amanda Christie < > ama...@amandadawnchristie.ca> wrote: > >> thank you warren… >> >> on both counts… >> of >> >> A) steering things away from the DWG >> ..&.. >> B) pointing out how uselessly broad the initial question was. >> >> please narrow it down kelsey… what are you really after? >> >> adc >> >> >> >> > On Nov 20, 2017, at 8:53 PM, Warren Cockerham < >> warrencocker...@gmail.com> wrote: >> > >> > The problem with Kelsey’s inquiry is it’s much too broad. There are >> literally millions of narrative examples in film and television. Every >> popular tv show is parallel edited. Instead of listing millions of >> examples, is there something more nuanced that you’re after here, Kelsey? >> > >> >> On Nov 20, 2017, at 8:45 PM, "o...@thenowcorporation.com" < >> o...@thenowcorporation.com> wrote: >> >> >> >> yes. and the Baptism scene in The Godfather. >> >> >> >> owen >> >> >> >> >> >>> On Nov 20, 2017, at 7:38 PM, Dominic Angerame < >> dominic.anger...@gmail.com> wrote: >> >>> >> >>> look no further than DW Griffith who developed this fully. >> >>> >> >>> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez <kelsve...@hotmail.com> >> wrote: >> >>> I'm looking for instances of parallel editing in narrative cinema, if >> you please! >> >>> >> >>> >> >>> Thanks, >> >>> >> >>> Kelsey >> >>> >> >>> >> >>> _______________________________________________ >> >>> FrameWorks mailing list >> >>> FrameWorks@jonasmekasfilms.com >> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >>> >> >>> >> >>> _______________________________________________ >> >>> FrameWorks mailing list >> >>> FrameWorks@jonasmekasfilms.com >> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> >> _______________________________________________ >> >> FrameWorks mailing list >> >> FrameWorks@jonasmekasfilms.com >> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > _______________________________________________ >> > FrameWorks mailing list >> > FrameWorks@jonasmekasfilms.com >> > https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > -- > “As from when does somewhere become truly yours?” -- Georges Perec > > Cecilia Dougherty > http://www.ceciliadougherty.com > http://inbetweentheories.com > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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