The earliest known *dated* sampler is the Bostocke sampler at the V&A, but
it's not actually the oldest sampler.  There are several in my book
"Embroideries and Samplers from Islamic Egypt," and they *all* significantly
predate the Bostocke sampler.  Which is, nonetheless, one of my favorite
pieces in the world <g>...I pretty much expected beams of light and choirs
of angels, when I actually found that sampler in the textile rooms at the
V&A.  But then, I'm an embroidery geek of long standing!
--Sue in Montana

----- Original Message -----
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Saturday, May 05, 2007 6:36 PM
Subject: RE: [h-cost] Medieval embroidery


>
>
>
> Although with some stitches you can't help making the back nearly as neat
as
> the front (classics indeed being blackwork and tent stitch, etc), I'm not
> aware of any medieval embroidery being made this way on purpose.
>
> And whether styles like blackwork or asissi work, or several others, very
> much depends on your geographical context.
>
> Its appearance at cuffs and collars doesn't have any real relevance to the
> state of the back, as embroidery was done prior to the making up of the
garment
>  (usually), so that the back of the work would be unlikely to be seen.
>
> As far as I'm aware the neatness of the back of embroidery dates to the
> beginnings of samplers - and the earliest known one of these is late 16th
century
> (I think - the one in the v&a textiles room).
>
> Both sides same embroidery, where the intention of the work is to have
both
> sides looking exactly the same is 19th century thing (possibly late
18th??),
> that came about for use on things like military standards.  It's also
> incredibly difficult to do, and one of the banes of my life!!    :o)
>
>
>
>
>
>
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