Hans:

Your sharing this information is a boon to all of us.

This quintet has traditionally been modified over the ages, particularly with 
the elimination of 
octave jumps (I'm thinking here of the section starting 15 bars after "F" in 
the last movement), 
which I was told were modified in the original Andre edition and continued in 
the B&H edition. 
Is this the case?

Richard in Seattle

On 8/14/2010 11:09 AM, Hans Pizka wrote:
> Hallo Alex,
>
> fgirst mov. : grace notes 2 resp. 4 meas. before repetition be played
> as regular 1/16th, also M. 99&  M.132&  134. The trill at M. 130
> requires an entrance grace note "e" (written)
> 2nd mov.:  M.20 grace not as 1/32, trill in M.30 requ. entrance grace
> note f# (written), M.53 requ. entrance grace note written "g" one
> octave lower, M.60 /61 written as c1 (1/8) - c2 (1/4)  , all sixteenth
> b-nat-g-d--b-nat-g - 1/16th rest, but should be : c1 (1/8)  high c
> (1/4), - all sixteenth b-nat (high)-g-d-b-nat-g-1/16th rest,
> M79: grace note = 1/32, M84: 2nd note "g" off course, M94: four
> 1/32nd, no grace note for the trill, M104 requ. grace note written b-
> nat for the trill,
> 3rd mov:
> M30:  last three notes c-d-c not c-e-c. (same as M. before)
> M76: trill on last c, M87: 1/8 c - 1/4 high c - sixteenth b-nat-a,
> M126: trill begin without grace note- on main note
> M165 grace not g1 (octave jump) before g2 /1/4)
>
> This is according to Karl Stieglers revision of the Eulenburg Edition.
> These corrections correspond with the beautiful old Peters / Leipzig
> edition.
>
> Good luck for your performance
> Regards
>
> Hans
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