From: Steven Mumford 
I have never given a crap about recording quality in any  medium.  I happily 
listen to worn out vinyl with all the scratches,  hisses, pops, clicks, spilled 
beer, melted parts from being left in a  hot car, various wires having fallen 
apart on my turntable, rogue  interfering electrical signals from the teapot in 
the sky, smoke wafting  out of tortured vacuum tubes in my war surplus 
amplifier, my half-deaf  grandfather dancing wildly and bumping the turntable 
every 5 seconds.   None of that bothers me in the slightest.
If I want to hear good audio quality, I go to a concert.  
- Steve Mumford


Somewhere I have a Penguin Editions paperback about the orchestra.  In it is 
the 
statement that most musicians do not own high fidelity reproducing equipment 
because they "fill in" the missing quality from their brains, which have been 
trained by playing live so much.  Granted this was written I believe in the 
late 
'40s and things have changed, but I agree with Steve - if the performance is of 
quality, that will project no matter the quality of the actual recording.  
Listen to some of the Dennis Brain reissues - mono, hissy, narrowed frequency 
spectrum, even on CD.  I still listen to them in awe, because his music making 
cannot be squished into the limitations of the medium - it surpasses them. 

While I do indeed enjoy the debate about the quality of various recording 
mediums, I also think it can get overblown.  I used to tell prospective 
customers when asked directly "what speakers should I be [are the best]"  "The 
ones that you enjoy listening to the most"  I feel the same way about 
recordings 
- listen the ones that stir your heart the most.  It is ultimately about 
enjoyment, fulfillment, and lasting results, not merely about how good the 
technology is. 

Paxmaha




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