Perfectly said, William. Just my opinion also & my observation.
Regards from Munich

Hans

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Am 11.02.2011 um 22:14 schrieb [email protected]:

> I always thought perfect pitch was a bad idea. I've known plenty of people  
> with perfect pitch who have a lot of difficulty tuning to people who aren't 
> perfect - which is nearly everyone else. Plus, equal temperament isn't 
> always  just intonation, either. How do you stick with perfect pitch if an 
> orchestra  decided to tune to 442 or 444? Or if you're in a Baroque ensemble 
> and 
> they tune  to 418?
> 
> I think the best thing to do is to have good relative pitch, and know  
> generally where notes are. For example, I can't hum a perfectly tune D on my  
> horn before playing it, but I know where it should be thanks to the Franz  
> Strauss Concerto and the opening note on the horn. Having perfect pitch will  
> drive you crazy if you play it with a piano that has been tuned differently, 
> or  the strings before you are sharp.
> 
> -William
> 
> 
> In a message dated 2/11/2011 4:10:41 P.M. Eastern Standard Time,  
> [email protected] writes:
> 
> I have  been trying to teach myself perfect pitch. I think if kids were
> taught to  recognize and name pitches the way we are taught to recognize and
> name  colors, we would all have perfect pitch. That's my story and I'm
> sticking  with it. Wish me luck!
> 
> On Feb 11, 2011 2:40 PM,  <[email protected]> wrote:
> 
> 
> Steve Mumford wrote:
> Even some  things that are seen as innate, a "good ear" for instance, may
> have  ...
> Here something else that may puzzle people, yet proves your  point.  90% (by
> some studies) of students that begin the Dalcroze  method before age 5
> develop absolute pitch.  As an aside, Dalcroze  uses fixed Do solfege.
> Respectfuly Submitted,
> Scott  Young
> 
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