Hans' comment re the indelible memory of errors reminds me of this story 
from 1001 Arabian Nights:

http://www.wollamshram.ca/1001/Vol_5/tale100.htm

Maybe NHR, maybe not.
David G

On 3/12/2011 4:37 PM, Hans Pizka wrote:
> The strongest impact of brass instruments could have been
> made by the trumpets of Jericho, perhaps.
>
> But there are other impacts like the beginning of Oberon. If played
> perfectly ten times in a row or more often, nobody cares, but if you
> crack it, they will talk about it even in ten thousand years&  tell you
> that there was a unnamed player who did it right always but long time ago
> (quoting Emil Wipperich and Bruno Jaenicke), well, and the clam remains
> cruising around in the hall for dozens of years.
> ################################################################
> Am 12.03.2011 um 22:02 schrieb Jeffrey S Barker:
>
>> Sorry to be slow to reply; I read the daily digest.  What you are asking for
>> exists and is called earthquake intensity.  It's defined by the Modified
>> Mercalli Scale and is written as Roman numerals from I to XII.  Intensity
>> reflects the level of observed damage and is not directly related to the
>> physics of the earthquake source.  The best case in point is the Haiti
>> earthquake last year.  That earthquake was almost 100 times smaller than the
>> Japan earthquake (magnitude 7 compared to magnitude 8.9) but resulted in
>> over 222,000 deaths.  This had more to do with the rampant poverty and
>> corruption in Haiti than it did with the location or size of the earthquake.
>>
>> Now, how can we make this horn related?  Perhaps we could start a thread on
>> a scale for the quality of musical sound emanating from an instrument.
>> Would this be a quantitative measure of the sound production of the
>> instrument, or a qualitative judgment by a listener in the audience?  And
>> how does one account for the quality, or lack thereof, of the player and the
>> instrument?
>>
>> Jeff
>>

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