Steve, you are far away from reality. Audiences have a very short memory for the very good things, but a long lasting memory for the accidents happen.
About the money: question back to you, did you commit that many clams .....? It would not be an issue to surpass me regarding bank account because of clams. You cannot become rich, playing at State Opera, even the salary is very fine, comparable to public prosecutor or DA. Well, I made some extra bucks through soloing, my horn & music business, but much less you would expect. I also spent a lot on travels with the family and on our travels just in two. And last: if I had made more clams just to get more bonusses, I would have lost my job. ########################################################## Am 12.03.2011 um 23:30 schrieb Steve Haflich: > Hans Pizka <[email protected]> wrote: > > But there are other impacts like the beginning of Oberon. If played > perfectly ten times in a row or more often, nobody cares > > Freund Hans: > > If nobody cares if it is played perfectly, then there is no worth in > playing the piece at all. You must remember that when you play > something perfectly (or even adequately) it will matter to those who > listen. > > (If I had 250,000EU for each note I've clammed in performance, I'd be a > richer man than you are, Hans. In fact, if I had 1EU for each note I've > clammed in performance, I might still be richer, at least if I had > invested wisely the performance indiscretions of my early years.) > _______________________________________________ > post: [email protected] > unsubscribe or set options at > https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/hpizka%40me.com _______________________________________________ post: [email protected] unsubscribe or set options at https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/archive%40jab.org
