I have a single Bb horn. I listen and adjust accordingly. 
 
No matter how many notes you get in tune by doing nothing, there will  
always be some that are flat or sharp. You can always lip it into tune, or  
adjust with your right hand.
 
But, this is the way it is on double/triple/single/wagner  
tubas/sarrusophones/etc or anything that matter with a mouthpiece and made of  
brass. 
 
-William
 
 
In a message dated 5/4/2011 8:28:27 A.M. Eastern Daylight Time,  
[email protected] writes:

So how  do players playing single b-flat horns deal with this note?

Hans Pizka  <[email protected]> wrote:

>Ricardo, you addressed the issue very  well. May I recommend further, 
>that players should use the F-side to a  greater degree anyway & thus 
eliminate this faulty
>middle g  (concert c, written g1). They should see a double horn rather as 
a  
>4-valve-horn, than a horn with a Bb-side & F-side. Such it is much  better
>to have it in F/Bb instead of  Bb/F.
>
>###################################################################
>Am  04.05.2011 um 00:05 schrieb Ricardo Matosinhos:
>
>> The middle  g is a 5th harmonic of the A flat horn, so is naturally flat 
(14 cents to be  exact). In C major for example will be to low because is 
the 5th that should  be a little sharp) but, for example in Eb major is OK 
because naturally flat  as the major third should be.
>> I use it a lot on technical passages  and even on lyrical, but usually 
on slow passages I use it on F  horn.
>> My advice is to play both on Bb and F horn. Bb horn on  technical 
passages and F or Bb on lyrical.
>> 
>>  
>> On 2011-04-30 03:56, SH wrote:
>>> Does middle g ever  get good on the b horn?  Is there a way to get it 
to sound like the notes  above it or is it always destined to sound honkey?
>>>  
>>> Thanks
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