Hi Daniel,

Playing afterbeats at this tempo is always a problem for a lot of
instrumentalists, even hornplayers who have the reputation of being experts
(which true compared to other instruments).  I do not have a recording
available at the moment, but how important is this part in the context of
whichis going on in the La traviata. Why not play also a note on the beat
plus the afterbeat. Will this be heard by the conductor ??? I do not think
so. In my opinion this is not a mental problem, it really is a technical
problem. The real solution is, as already suggested, is step by step
raising the tempo. But if the Traviata is coming soon this is a mission
impossible and I would go for a good simulation ! I bet that the conductor
will not hear it and there a lot of notes which are more important.

Regards,

Ger

________________________________
From: Daniel Canarutto <[email protected]>
To: The Horn List <[email protected]>
Sent: Wed, May 18, 2011 11:43:02 AM
Subject: [Hornlist] La Traviata: advise on rhythm problems looked for

Hello friends,

I have a performance of La Traviata coming soon, and I must admit I'm
having serious difficulties in keeping a steady pace in N.2 (the first
scene of the opera, just after the Preludio). It is in 4/4 time,
played at 1quarter=172 more or less. I have four afterbeats per
measure, as you can see from the sample I uploaded at the URL:
http://www.dma.unifi.it/~canarutto/Xs/Tr2.pdf

I'm trying to study this piece with a metronome, starting from a
slower tempo and increasing it, or playing a few measures at a time,
but it seems I'm still far from the goal. I'd say it's not a strictly
technical issue, since if I play the beats, instead than afterbeats,
everything goes smoothly. So it should be a mainly mental problem. I'm
wondering which exercises or tricks could help.

Thank you for your attention,

Daniel Canarutto
mathematical physicist & dedicated amateur hornist & lifelong learner
http://www.dma.unifi.it/~canarutto/
http://www.corno.it/



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