...and of course the standards:  Turning Tschaik. 5 solo into John
Denver's "Annie's Song" and the opening of "Till" into "La Cucaracha".

O. 

-----Original Message-----
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Monday, May 22, 2006 9:38 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Ear training for musical disasters

Brahms Serenade turns into a chewing gum jingle so seamlessly a lot of
listeners don't even realize what's strange.

 -----Original Message-----
 From: Jonathan West <[EMAIL PROTECTED]>
 To: The Horn List <horn@music.memphis.edu>
 Sent: Tue, 23 May 2006 00:39:31 +0100
 Subject: RE: [Hornlist] Ear training for musical disasters



 > So, we
 > had "Blue Tango" and "With a Song In My Heart" being  > played
simultaneously. It sounded surprisingly good.
 > It took a while for the conductor to get everyone to  > stop,

  About a year ago I was on an orchestral course which happened to run
over
  April 1st that year. A few of us had worked out some possible April
Fool
  jokes to play on the conductor depending on what piece was to be
played that
  morning. If it was Sibelius 1, the principal clarinet was going to
play the
  opening solo on the wrong clarinet and see whether anyone noticed. But
as it
  happened, the first piece that morning was the Scherzo from Mahler 5,
and I
  was playing the obligato horn part. For this, we had decided that my
opening
  entry should turn into "Oh I do like to be beside the seaside" after
the  initial F#. So I played it out in full Mahlerian style. It fitted
  surprisingly well, and it took the orchestra and conductor several
seconds
  before they finally realised what was going on and everyone collaped
with  laughter.

 Regards
 Jonathan West

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