Can you suggest some lyrical pieces for natural horn?

Thanks for all of the information!

On 8/4/07, John Dutton <[EMAIL PROTECTED]> wrote:
> This is not the end of the world.  In a month's time you can do quite a bit.
> In addition to Jonathon's advice I'll add a little bit.
>
>
>
> The key to good low register sound and facility is strengthening the corners
> with such a large aperture.  Most folks sound like farts in the wind because
> their embouchure is not firm like it might otherwise be in the upper
> register with a smaller embouchure/aperture.  Firm control like any other
> thing requires attention and persistent proper practice.
>
>
>
> Work the Schantl Grand Theoretical & Practical Method.  It's function
> range-wise is just what you want. Alternatively you can play Kopprasch down
> an octave (including transposing).  Play these exercises with a drone tone
> so that you can practice your intonation.  This won't do more than simulate
> playing with someone else but it will help improve your intonation.  Find a
> trombone player friend and play duets-play your part C basso.  This will
> help your low register and ensemble.  Do NOT forsake your high playing.
> Find some lyrical  pieces for natural horn and work the harmonic series
> concentrating on a singing style.  Transfer this same singing style to your
> low register work.
>
>
>
> Of course get out your metronome and learn how to make music despite strict
> tempi.  Music is what happens in between the notes too.  A good rule of
> thumb is that things like rubato are more inferred/implied than dramatically
> done.  It's sort of a zen koan.  Most important, do not try to generate
> eight hours of practice daily trying to compensate for a perceived lack of
> time.   Start modestly and add time as your fatigue point moves.
>
>
>
> The Jack Attack!
>
>
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