> -----Original Message-----
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On
> Behalf Of [EMAIL PROTECTED]
> Sent: Monday, April 07, 2008 10:53 PM
> To: horn@music.memphis.edu
> Subject: [Hornlist] My killer lick page.
>
> I posted last year about my frustration & feeling
> overwhelmed w/ trying to manage everything I want to squeeze
> into my practice schedule. I've come up w/ a helpful little
> solution which is a combination of the recommendations of
> Wendell Rider & Matthew Scheffleman (sorry about the
> spelling, Matthew). I've made a killer lick page. Whenever I
> stumble upon a particularly tough lick in a piece I'm
> working on, I write out the few measures that really need
> wood shedding on staff paper, cut it out & tape it to my
> killer lick sheet.  I slip this sheet in the warm up section
> of Wendell's book. So every day after I'm totally warmed up
> & loose, I take a few minutes to run through all the licks.
> That way, if I don't have time later in the day to work on
> ALL the pieces I'm studying, at least I've hit the hardest
> spots. When I get to rehearsal, I'm better prepared than I
> would be otherwise. It's a real time saver for me. If any of
> you have additional suggestions or refinements to add, I'm
> all ears. Thanks.
>
> Valerie, come back horn playing granny in Tacoma
> ____________________________________________________________


Valerie -

Great approach.  Here's another thing that I do along with a similar
approach.

When working on those "killer licks," I try to vary up what the "actual"
lick is.  For example, I may play dotted-eigth/sixteenths versus straight
eigths (the running eigth note passage in Til is a good example of where
this helps).  Another example is something such as the Tchaik 5 excerpt -
subdividing while playing - in other words, play all eigth notes - such as
in the first couple measures it would go:

a,g#,f#,a--,g#--

I instead do:
a,g#,f#,aaa,g#g#g#

Just some thoughts -
Cheers-
Jeremy
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