Hello All,
I have become involved in a project to help an artist friend prepare an
image of a painting to be used to make giclee prints, and I'm looking for
any thoughts on what I should do to get it right and what to avoid.
To date, my friend has had his paintings photographed commercially, with a
medium to large format film camera, the transparency then scanned on a
drum scanner to produce an image that would print at original size at 300
ppi.
I'll be shooting with a Pentax K-3 II (aps-c sensor), and aim to shoot a
2x2 pattern with about 30% overlap vertically and about 50% overlap
horizontally...that's roughly how it works out from the painting and
sensor proportions.
I'll shoot from a weighted tripod, using pixel shift mode, and at this
stage thinking about using a 150-450 lens at about 300mm.
The intention is to set the painting vertical on a stand, with lighting
each side at about 45 deg.
It is a simple matter to set the camera at the correct height shooting
horizontally, but not quite as simple to ensure we are normal to the
painting in the horizontal plane. I would like to try to minimise any
perspective effects as much as possible. The thinking at the moment is to
move the painting vertically and horizontally on a fixed easel to align
for each shot, rather than move the camera. I think we can better keep the
shots normal to the painting by this method.
That's probably enough to be going on with...any thoughts?
Cheers,
--
Regards,
Terry Duell
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