I haven't commented on Travelogue much, but I had to
chime in with I LOVE, LOVE, LOVE Joni's voice on
Slouching.  It is currently my favorite piece to
listen too. Especially at the end - it is electric -
full of power - a power that I would have liked to
hear more of.  So funny.

I get such a kick out of the fact that Travelogue is
generating such passionate, diverse, and often
diametrically opposed opinions on the list.  It may
not be as perfect or sublime as many of us would have
liked, but it sure packs a punch. 

Jenny


--- [EMAIL PROTECTED] wrote:
> Now, how do people feel about what I think
> of as Joni's "let's get serious" T'LOG triad --
> namely SLOUCHING, LUDWIG and JOB?
> 
> I really disliked them on first listen; then they
> grew on me and I found myself liking them.
> Now? My fondness for JOB has deepened to
> love, and I'm back to disliking the first two.
> 
> You know what it is for me? It isn't the 
> orchestrations; I like the bombast of them.
> It's Joni's performance. Both SLOUCHING
> and LUDWIG seem to be beyond her 
> current vocal capabilities.
> 
> On SLOUCHING, I wish someone had talked 
> her out of her "Head of a man"s, I really do. (!)
> 
> And Joni sounds so rough on LUDWIG that
> it feels like a first take.
> 
> As for JOB, I think it's better than the original.
> I like the choir, which has a timeless, nationless,
> mysterious quality. And Joni's performance
> (that heartbreaking "Oh where is hope?") is
> magnificent.
> 
> What do you think?
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