I have been quizzing my husband, who formerly was Associate University Librarian at Boston College. I assume that this thesis was at an American institution, not abroad. He says that Master's theses were indeed covered and he assumes still are. We aren't clear if there has been any advancement with computer recording/searching.
If you'd like to let me know what in college/university this thesis was presented, and/or how long ago, I will try to find out more. Or, there are probably not a few librarians on this mailing list who could do as well. Best, Carolyn Carolyn Hastings Stow, MA USA > -----Original Message----- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > On Behalf Of Barbara Ballantyne > Sent: Sunday, June 20, 2004 8:31 PM > To: Ilske und Peter Thomsen; [EMAIL PROTECTED] > Cc: [EMAIL PROTECTED]; [EMAIL PROTECTED] > Subject: Re: [lace] Masters Thesis on American Lacemaking > > > Dear Lacemakers > > In times past University Microfilms in Ann Arbor Michigan > sold xerox copies of theses at a reasonable price. It was an > excellent system. > > Does this still apply? And if so are masters theses covered? > > Barbara Ballantyne > In sunny Sydney Australia > > ----- Original Message ----- > From: "Ilske und Peter Thomsen" <[EMAIL PROTECTED]> > To: <[EMAIL PROTECTED]> > Cc: <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]> > Sent: Sunday, June 20, 2004 6:47 PM > Subject: Re: [lace] Masters Thesis on American Lacemaking > > > > Devon, > > > > > Michelle has done a > > > great job of pulling it all together, especially when one > considers > > > how little *truly American* lace there has been made in the short > > > time US has been US. > > > > > I think this would be interesting for all list-members > especialy those > > who are interested in lace-history. Could this be send on the list > > perhaps? Greetings > > Ilske > > > > - > > To unsubscribe send email to [EMAIL PROTECTED] containing the > > line: unsubscribe lace [EMAIL PROTECTED] For help, write to > > [EMAIL PROTECTED] > > - > To unsubscribe send email to [EMAIL PROTECTED] containing > the line: unsubscribe lace [EMAIL PROTECTED] For help, write > to [EMAIL PROTECTED] > > I am forwarding the message below from the Textile Society of America list: > > CALL FOR SUBMISSIONS > The editors of "Biancheria: Domestic Needlework in the Italian Diaspora are > looking for submissions on the domestic needlework of women from the > Italian diaspora. This interdisciplinary anthology, which grows out of the > John D. Calandra Italian American Institute's 2002 conference on the > subject,will include articles by scholars in the humanities and the social > sciences (anthropology, art history, cultural studies, folkloristics, history) > as well as creative work (memoir, poetry, fiction, photo-essays). > Embroidery and lace work were basic skills of Italian working women. > Biancheria, the collection of bed coverings, tablecloths, towels, doilies, > intimate apparel, and other hand-embroidered textiles, was a centralelement > in a bride's corredo (trousseau). Immigrant women brought this artistry > biancheria took on additional cultural significance and, as earlier > practices faded, those heirlooms and memories became sources for renewed > cultural production such as poetry and painting. > > Despite this rich cultural legacy, little scholarly documentation exists on > the domestic needlework of women of the Italian diaspora. This anthology is > a corrective to this lack of written history. > The editors are especially interested in submissions that explore topics > such as: > - The place of needle work in the everyday lives of women and > their families and communities. > - The changing nature of the aesthetics and market value of > needlework during immigration. > - The role domestic needlework played in the creation of an Italian female > proletariat. > - Comparisons between domestic needlework and factory needlework. > - The role of social elites and mediators in the service of the Arts and Craft > movement. > - Needlework's symbolic power in the cultural memory of descendants of > immigrants. > > > - Rewritings of the stories around domestic needlework in creative media, > including film, video, and photography. > - Gendered perspectives that include men's responses to and recollection of > domestic needlework. > - Domestic needlework as a cultural bridge with the immigrants' > >culture of origin. > - Comparisons between needlework and other forms of domestic work > >and material culture > - Needlework and the sacred > - Cross-cultural perspectives (for example, comparisons with African > American women's quilts or Italian American and Italian > >Australian needlework). > - The preservation of needlework: from the home to the museum. > > > Five hundred-word proposals for scholarly articles are due October 1, 2004. > Send scholarly submissions and 200-word bio to Joseph Sciorra. Full texts > of creative writing submissions should be sent by October 1, 2004 to > EdvigeGiunta. Both hard copy and email submissions are accepted. Early > inquiries are welcome. > Edvige Giunta, English Department, New Jersey City University, > 2039 Kennedy Boulevard, Jersey City, New Jersey 07305, [EMAIL PROTECTED] > Joseph Sciorra, John D. Calandra Italian American Institute, 25 West 43rd > Street, 17th floor, New York, NY 10036, [EMAIL PROTECTED] > > > > Please feel free to circulate. Apologies for cross postings. > > > > > > > > > > > > Joseph Sciorra, Ph.D. > > > Assistant Director for Academic and Cultural Programs > > > John D. Calandra Italian American Institute of Queens College (CUNY) > > > 25 West 43rd Street, 17th floor > > > New York, New York 10036 > > > tel. (212) 642-2035 > > > fax (212) 642-2030 > > > www.qc.edu/calandra > > - > To unsubscribe send email to [EMAIL PROTECTED] containing the line: > unsubscribe lace [EMAIL PROTECTED] For help, write to > [EMAIL PROTECTED] - To unsubscribe send email to [EMAIL PROTECTED] containing the line: unsubscribe lace [EMAIL PROTECTED] For help, write to [EMAIL PROTECTED]
