I am currently teaching one student - a woman near my own age that saw lace being demonstrated who wanted to learn.  I have only had the opportunity to teach a few so my comments are just a couple of items that may help with motivation and progress.  I strongly suggest to any beginner - get a notebook and keep all of your first pieces in it with the patterns and notes.  It helps show progression of working the threads - tension and stitches. I show my ring binder from my first 6 weeks of lace making and they are surprised that we all start in the same place.  I ask my student to commit to lacing at least 30 minutes daily since we were meeting once a week.   Your choices of stitches are good.  I choose patterns that are building blocks that continually reinforce the last skills taught to help with memory (mind and muscle memory).   Humans learn by visual, hearing and touch, so I try to do all three.   My first teacher had me take the pattern and look at the piece of lace and I had to color code the pattern in with my own colored pencils.  This helped me a great deal because I had to think of the stitches, color it in and use the rules for when extra twists were needed and where to mark them. I did this with my student and asked her to change the lace motifs or tapes or edges. She had to tell me and show me what was needed in the diagram to make it work. Then she chose how she wanted to lace it to fit what she wanted the lace to look like.  After just 4 weeks, I brought out lots of books and let her choose what she wanted to do and then would guide her, letting her know what skills she needed to fully understand to get to that pattern.  We would choose a pattern(s) to give her the practice with more challenges toward her goal. Then we would get into the difficult pattern - talking it through first, reading the diagram â giving her tips on how to avoid mistakes as one makes lace. I now believe in teaching leaves and tallies in the first four weeks. I never spoke of some of the statements I heard about leaves and tallies.  I want to her to think of them as simple.  Additionally, we critiqued her work together. I would ask her where the mistakes were and what happened.  No unlacing â just get the threads where they should be and start the repeat over.  This seemed to help my student a great deal to stay motivated because of self accomplishment and learning.  The first week I teach how to bring in a thread when one breaks, how to hang in a pair so she knew what to do instead of waiting all week for our next meeting.    I stress that when learning a skill we are not striving for perfection â just learning and understanding the specific techniques. Doing multiple repeats in different small project brings the improvement with tension and control.   I let her choose what she wants to use for thread. My student loves color and gets excited using color in all types of laces.   I let her watch the Color in Torchon DVD for ideas about using colored threads.  I encouraged her to take a 2 day workshop after 8 months.  I pushed her to go so she could see how much she really understood.  I stressed to her âno unlacingâ just spend the time focusing on learning the techniques, learn the tips to improve it and make all the lace necessary to keep up with the instructor so that she did actually do all of the techniques that the instructor had to offer. She came back so excited with self confidence that she can think a new challenge though on her own.  She made many projects in Bruges Bloemwerk for the next several months â with each one there was improvement with her application of technique.    Lace instruction DVDs â I like the DVDs for learning skills and setting the learning to memory. I ask the student to watch first, write down notes if necessary, then turn off the DVD; then think it through with the diagram. From my experience, the lacer needs to turn off the DVD and work the lace using the diagram to stay on track.  The DVD can become too much of a distraction â turning on and pausing, lacing and then restarting DVD. This amount of back and forth slows the learning curve.  I believe all lacers need excellent reference books to look up techniques that they may not use for a while as they work different types of lace.  I strongly suggest:  The Grammar of Point Ground â Ulrike Voelcker The Beginning of the End â Ulrike Löhr Practical Skills in Bobbin Lace - Bridget M. Cook  Chris Brill-Packard Cleveland, Ohio
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