In the booklet,  'Highlights, The Wallace Collection' published  by The 
Trustees of the Wallace Collection, 2003  
the painting is interpreted thus:


"Dutch paintings of the 17th century often had a moral.  In this small picture, 
the little lacemaker serves as an example of good behaviour for a Dutch 
housewife of the time.  The mussels lying at her feet are a symbol of her 
virtue as both stay in their shell.  Her discarded shoes suggest she cannot 
leave the house without them and so avoids temptation. The broom beside her 
emphasises her spotless house.  On her richly embroidered cap is an emblem of 
doves and clasped hands that tell us she is a loving wife.  Lace-making was 
also a sign of the virtuous housewife, since it was a long, laborious process 
allowing the maker little freedom from domesticity."  !

I hope the Wallace Collection will forgive such a long quote but I felt I must 
defend the little lacemaker and advertise a wonderful Art Gallery in London.  
They also have Frans Hals, The Laughing Cavalier, with his wonderful 
needlepoint cuffs and collar.

Jean Eke in Sussex , England,  on a chilly , wet & windy late evening.

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