Thank you, Jean! I have heard the story of "shoes off = immorality" so many 
times and always doubted it - it's good to know that at least one person - the 
curator of the  Wallace Collection - holds a different opinion!

Adele
North Vancouver, BC
(west coast of Canada)

> In the booklet,  'Highlights, The Wallace Collection' published  by The 
> Trustees of the Wallace Collection, 2003  
> the painting is interpreted thus:
> 
> "Dutch paintings of the 17th century often had a moral.  In this small 
> picture, the little lacemaker serves as an example of good behaviour for a 
> Dutch housewife of the time.  The mussels lying at her feet are a symbol of 
> her virtue as both stay in their shell.  Her discarded shoes suggest she 
> cannot leave the house without them and so avoids temptation. The broom 
> beside her emphasises her spotless house.  On her richly embroidered cap is 
> an emblem of doves and clasped hands that tell us she is a loving wife.  
> Lace-making was also a sign of the virtuous housewife, since it was a long, 
> laborious process allowing the maker little freedom from domesticity."  !
> 
> I hope the Wallace Collection will forgive such a long quote but I felt I 
> must defend the little lacemaker and advertise a wonderful Art Gallery in 
> London.  They also have Frans Hals, The Laughing Cavalier, with his wonderful 
> needlepoint cuffs and collar.
> 
> Jean Eke in Sussex , England,  on a chilly , wet & windy late evening.

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