Well after reading many responses to this question I thought I would give
my own.

 I think first one must answer

 Why do publishers use other programs?
Who submits to publishers?
Why do users use other programs?

Why do publishers use other programs?

 Obviously there was typesetting before computers, so why did they favour
certain graphical applications instead of text/code based. Well you have to
ask yourself, who is in this field? The simple answer is musicians. Back
when these programs came out the people in this field new nothing or little
about computers, especially coding. They were taught “this is a computer,
this is the internet, and this is email.” As computers grew and software
developed it had to cater not only to the needs of customers but also the
skill level at the time. Graphical applications where great because users
could acquire great results with little knowledge and little effort.

 Who submits to publishers?

 The majority are musicians – again with little or no knowledge of
text/code based applications – One would say this applies to other aspects
as well. People favour Graphical word processors over say Tex -. This also
has to be broken down even further. What genre? Well pop music continues to
sell most in publications as well as record sales, followed by rock,
country, dance R&B, Blues etc. Classical is above Jazz and Jazz only above
Other. When you group the top categories together as “Current Music” they
leave classical and jazz with only a small part of the pie. You can also
break this further. If you consider the top instruments today you see piano
(no idea why – joke) and guitar second most popular. Why is this all
important? Well because of the next question!

 Why do users use other programs?

 First who are the users of lilypond? Well I break it down as
“professionals in the computer industry with a love/passion in music” and
“professional musicians with a love/passion in computers”. Why is this
important? A good friend of mine is Dennis Clarke who was a major part of
Blastwave.org, and in my opinion one of the best programers I know. He also
is an amateur musician. I on the other hand am a professional musician with
an understanding of computers. Why bring this up? Well the way I look at it
is that I also think he has a greater understanding of music than most. As
I do with computers. However, as much as he knows he could never understand
music in the same way I do, nor could I computers in the way he does. As
much as he knows, he may not be nor would I expect him to be familiar with
performance practices in each era of music and how it affects
interpretation. Or to be 100% knowledgeable about pedagogy or agogics and
it's applications etc. This being said I would never expect a publisher or
want them to publish pieces that does not relay the true nature of the
score. This is why most serious musicians use urtext or facsimiles of
earlier prints. Since most is in public domain the only need to typeset the
score would be in a scholarly approach- or “current music”. Based on this
most publishers look for respected members in that field specifically
educated in that subject. And to be honest most lack the knowledge to use
lilypond. Lets face it unless you are fairly comfortable with computers
lilypond is not going to cut it. Go back to question two “Who submits to
publishers?”. Most of what a user expects and publishers for that matter is
that it does what they need. Therefore it has to be able to accomplish the
needs of all users and all genre. As a guitarist that has used Linux since
1996 and has never ran any other operating system – well windows 3.11? (but
only for six months). Lilypond to me is a comfortable choice. However, as a
guitarist I find most of the things required for guitar incorrect or only
half available. The biggest drawback is that one has to search forums,
lists, LSR, git etc. Just to be able to do basic functions that should be
there already. I have to say that over the years I have used lilypond I
have had to write most of the “guitar specific” things that 1. most users
would expect and 2. the average user would be incapable of doing. Again
this is a collection over years of personal work.

 So you can't expect publishers or users to move to a system that doesn't
have all aspects of what they need ready and available – for all genre and
instruments. As much as the over all look is concerned I think lilypond is
superior and that's why I use it but, others will sacrifice the look for a
system that easily accommodates ones needs. Again I wouldn't expect a
person wanting to write a fantasy novel to use Latex just because I think
it's better.

 This being said students and the average person have more knowledge of
computers and programing then ever before. Computers are taught in school
and Linux is in popular use. So eventually text/code based editing will be
as easy as writing your native language.

 As for the comments on mutopia project.. Well I don't think any serious
musician would take it seriously. The scores are using those available in
public domain (which hold more credible value). So most I think would
favour the actual score. So the only reason I see for it's existence is to
1. highlight and bring self gratification that you as a user actually did
this. Or 2. To post scores of your own so others can have access to it as
well. Which makes the site much like any other source of free scores.

 Above not intended to offend, just a thought from a person that sources
original and early scores.

 %%%% Humour

Student musician: Professor how do I do this on my score?
Professor: Well Johnny you have to learn scheme and code it! Or find a
function somewhere on the net someone did with a similar problem!

Student musician: ?????????

 Stephen
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