Carl,
Like Urs said, the <<{}\\{}>> syntax implicitly creates multiple voices,
but if you just take out the two back slashes <<{}{}>>, no new voices are
created and you will remain in the main voice (i.e., the stem will be point
in the correct, non-forced direction--down) and the dynamics will be
attached like you thought they would.
HTH,
Abraham
On Monday, February 22, 2016, Carl-Henrik Buschmann-2 [via Lilypond] <
ml-node+s1069038n187535...@n5.nabble.com> wrote:
> Hi again,
>
> I try to do this dymanic acrobatic:
>
> *"sfz > pp <"*
>
> In my mind i figured that nothing can come from nothing, so i tried the
> following:
>
> <<
> {a2}
> \\
> {s4\sfz\> s4\pp\<}
> >>
>
> But this produces only the top voice with the stem the wrong way (of
> course). Any ideas?
>
>
> Med vennlig hilsen,
> Carl-Henrik Buschmann
> *Lektor*
>
> Hi guys,
>
> I'm trying to learn how to use lilypond to typeset orchestral material.
> Handling large projects is fun but good documentation regarding this is
> hard
> to come by. I'm still a lilypond novice and my Google-Fu has let me down, I
> need help.
>
> I'm using my own orchestration which i engraved in Sibelius a while back.
>
> This is my original sibelius score i.e.: the "ideal":
> http://i.imgur.com/fIQJN8v.png
>
> And this is my lilypond output so far:
> http://i.imgur.com/g2OL258.png
>
>
>
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