Am 12.08.2016 um 16:30 schrieb Thomas Weber: > There are two things about rehearsal marks in orchestral scores I'd like to > know about. > > Firstly, how can I separate rehearsal marks (and other structural stuff like > \break or \pageBreak) from the actual musical content? Can I somehow add a > virtual staff to carry the rehearsal mark information? I think I remember > seeing something like that before, but I can't seem to find any documentation > about it.
Of course you can enter these in a structural Voice and add these either to the top staff of the score or even to each staff (using polyphony). But the better approach is using the edition-engraver (https://github.com/openlilylib/edition-engraver) for the rehearsal marks and probably the page-layout package (https://github.com/openlilylib/page-layout) that wraps around the edition-engraver. This allows you to define independent named break-sets and apply them with a single command (e.g. to define alternative page layouts representing different manuscripts or target media). Unfortunately this is still pretty undocumented :-( HTH Urs > > Secondly, how can I make rehearsal marks appear both on the very top staff > and the top staff of the strings? As far as I can see, rehearsal marks will > always be put at the very top staff. > > Thanks! > Thomas > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
