Mark Mathias <d8val...@gmail.com> writes:
> Has anyone a happier method of separating fingering from notes? I would
> like to produce several versions of the same music using different
> fingerings for different instruments.
>
> For example, a melody might have four versions: one for violin, another for
> viola, another for cello and another for double bass. In addition to
> different clef and octave, each version would call for fingering
> appropriate to that instrument, but the same file including the melody
> would be reused in each version.
>
> Right now if I separate notes in one \include file from fingerings in
> another include file and combine them as separate voices, LilyPond doesn't
> place the fingering voice with an awareness of the notes voice, leading to
> collisions.
>
> In the version below, for example, the flageolet nearly touches the stem of
> the A, and the 3 is almost fully covered by the notehead of the A an octave
> above.
>
> My search of manuals, snippets, etc., hasn't turned up a good method.
>
> \version "2.19.16"
> \relative c'' {
> <<
> { \stemNeutral a4 c f a }
> \\
Remove the \\ here: it separates voices (which you apparently noticed
and tried to offset with \stemNeutral, also unneeded). Without \\,
fingerings and notes are in the same Voice and will get combined.
> { s^\flageolet s^\markup { \finger "↓2" } s^\markup { \finger "↓1" }
> s^3 }
> >>
> g,^\flageolet c^\markup { \finger "↓2" } f^\markup { \finger "↓1" } a^3
> }
--
David Kastrup
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
