2016-10-20 14:08 GMT+02:00 David Kastrup <d...@gnu.org>: > Mark Mathias <d8val...@gmail.com> writes: > >> Has anyone a happier method of separating fingering from notes? I would >> like to produce several versions of the same music using different >> fingerings for different instruments. >> >> For example, a melody might have four versions: one for violin, another for >> viola, another for cello and another for double bass. In addition to >> different clef and octave, each version would call for fingering >> appropriate to that instrument, but the same file including the melody >> would be reused in each version. >> >> Right now if I separate notes in one \include file from fingerings in >> another include file and combine them as separate voices, LilyPond doesn't >> place the fingering voice with an awareness of the notes voice, leading to >> collisions. >> >> In the version below, for example, the flageolet nearly touches the stem of >> the A, and the 3 is almost fully covered by the notehead of the A an octave >> above. >> >> My search of manuals, snippets, etc., hasn't turned up a good method. >> >> \version "2.19.16"
%% Add \new Voice %% here, otherwise David's proposal will not work sufficiently >> \relative c'' { >> << >> { \stemNeutral a4 c f a } >> \\ > > Remove the \\ here: it separates voices (which you apparently noticed > and tried to offset with \stemNeutral, also unneeded). Without \\, > fingerings and notes are in the same Voice and will get combined. > >> { s^\flageolet s^\markup { \finger "↓2" } s^\markup { \finger "↓1" } >> s^3 } >> >> >> g,^\flageolet c^\markup { \finger "↓2" } f^\markup { \finger "↓1" } a^3 >> } > > -- > David Kastrup Cheers, Harm _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user