Alto clef, as Eef suggested, is actually the best solution for this particular passage. (After all, I wouldn’t be a full-fledged early-music singer if I weren’t flexible with clefs!)
If you use my solution, it’s probably best to use half notes consistently in leftHandUpper. See updated screenshot: [image: image.png] And I’d add a footnote or some other text to the effect of “When reading the ‘tenor’ voice, disregard bar lines.” This way, the keyboardist is less likely to think there is a typo. I like Paul’s solution, too. On Fri, 5 Dec 2025, Lucas Pinke wrote: > I'd go with Gabriel's option. It is the most clean, easy to understand and > easy to sight read alternative. >
