Am 09.04.2012 21:12, schrieb Thomas Morley:
I'd use \override Script #'staff-padding = #'() and \voiceOne,
\voiceTwo and \oneVoice:
This looks great. I also played around with an approach that doesn't use
the two voices since it's just the left hand that plays some part of the
voice.
\version "2.14.2"
\context PianoStaff<<
\context Staff=right \relative c'' {
\key g \major \time 3/4 s2. \stemUp
d4^~ d16 a' g\prall fis e\prall d cis\prall b | % 33
}
\context Staff=left \relative c' {
\override Script #'staff-padding = #'()
\key g \major \time 3/4 \clef bass s2. \stemDown
\change Staff=right r16 a' g\prall fis g4 \change Staff=left r | % 33
}
What is the benefit of the two voices approach and when should I avoid
the stem up/down?
Thanks,
Helge
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
