Michael, You cane use \cadenzaOn and then group your eighth notes with [ ] e.g. deh,8[ deh,8] ees,4 geh,8[ deh,8 bes,8] ees,4 geh,8[ geh,8 c,8]
That should cause everything to work they way you are after and don't bother to declare a time signature. best of luck, Shane On Fri, Mar 20, 2015 at 1:18 PM, Michael Collins <mxcoll...@gmail.com> wrote: > Hello, > > I'm working on a piece without barlines or a time signature. The file is > attached below. I have tried using the \cadenzaOn command, but this seems > to produce nice output only when I use a simple time signature (4/4) and > manually bar (|) the input. Unfortunately, the rhythmic values I'm using > do not lend themselves to this approach. The introduction of a couple 16th > notes shifts everything over and makes it impossible to divide things into > neat 4/4 bars. > > My current solution modifies the layout's context block to completely > suppress barlines and time signatures. However, since lilypond still > thinks I'm in 4/4, I'm getting ties across invisible barlines. Also, since > all barlines are suppressed, I can't get a double bar line at the end. Is > there any way around these problems? Is there a way to produce meterless > music without the ghostly ties that still includes a double barline at the > end? > > -Michael > > > Oremus.ly > <https://docs.google.com/document/d/1f12TvUgRL96Nq-VVLo_cBZ0drmhkJh1hmhMyF989lUg/edit?usp=drive_web> > > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > >
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