Sorry, I meant hear, hear! It's very late hear, I mean, here.

Gary

----- Original Message ----- 
From: "gary digman" <[EMAIL PROTECTED]>
To: "lutelist" <lute@cs.dartmouth.edu>
Sent: Wednesday, October 18, 2006 3:32 AM
Subject: [LUTE] Re: Sting and his CD


> Here, here, Stewart! I heartily agree. One question: Mr. Sting describes
> Dowland as the first English singer/songwriter. Is there any evidence that
> Dowland actually sang professionally?
>
> Gary
>
> ----- Original Message ----- 
> From: "Stewart McCoy" <[EMAIL PROTECTED]>
> To: "Lute Net" <lute@cs.dartmouth.edu>
> Sent: Tuesday, October 17, 2006 11:28 AM
> Subject: [LUTE] Sting and his CD
>
>
> > Dear Alfonso,
> >
> > If what you say is true, there must be something wrong with how they
> > assess lutenists at the Conservatorium van Amsterdam. I have
> > listened to Sting's CD, and I have to say I am impressed with what
> > he has done:
> >
> > 1) All the words are sung clearly. So many singers, who are admired
> > for the quality of their voice, do not enunciate the words clearly.
> > For them, the music is more important than the words. In my opinion
> > it should be the other way round.
> >
> > 2) The words are sung with understanding and with a suitable variety
> > of tone colours to reflect the meaning. There is no all-purpose
> > lovely tone.
> >
> > 3) The music is sung in time when it needs to be, so that, for
> > example, "Can she excuse" goes with a real swing, as it should,
> > because it is essentially a dance tune (a galliard).
> >
> > 4) Dowland's lute songs are essentially solo songs. For many of them
> > there are optional alto, tenor and bass parts, but I have never been
> > convinced that singing these songs with four voices is satisfactory.
> > The songs are rhetorical in nature, and benefit from being sung by a
> > solo singer. Sting's novel idea is to use the other voice parts, but
> > they are sung quietly in the background, so that the solo voice
> > still stands out as a solo.
> >
> > 5) Sting makes no claims to have a wonderful voice. In the sleeve
> > notes he modestly describes his voice as an "unschooled tenor". His
> > voice might not be what we have come to expect with performances of
> > Dowland, but it is as valid as anyone else's. Our mistake is to
> > type-cast the lute song, so that we expect singers to sing these
> > songs in a particular way. People will buy the CD, because they like
> > Sting's voice, not, I imagine, because they are keen on Dowland, and
> > not because they expect him to sound like Alfred Deller or Emma
> > Kirkby.
> >
> > 6) By risking the sort of prejudiced criticism, which he has
> > received on this lute net and in newspaper reviews, Sting has put
> > his reputation on the line. No wonder he confesses to being more
> > nervous singing Dowland to a small audience than singing his usual
> > stuff to an audience of 5,000. He has an affection for Dowland's
> > music, which he wants to share with others. With one CD he has done
> > much to promulgate the quality of the lute and Dowland's music.
> >
> > Best wishes,
> >
> > Stewart McCoy.
> >
> >
> >
> > ----- Original Message -----
> > From: "Alfonso Marin" <[EMAIL PROTECTED]>
> > To: "Lute Net" <Lute@cs.dartmouth.edu>
> > Sent: Monday, October 16, 2006 7:58 PM
> > Subject: [LUTE] Re: O Sting, where is thy death?
> >
> >
> > >
> > > On 16-okt-2006, at 20:41, Daniel Shoskes wrote:
> > >
> > > > The lute playing however was much worse than on the CD. Horrible
> > > > tone, illogical tempo changes, rattling glissandi, lots of
> > > > mistakes. Probably the worst "professional" performance I have
> > ever
> > > > heard.
> > >
> > > I guy did not pass the entrance exam in the Conservatorium van
> > > Amsterdam playing much better that Karamazov in "Come again".
> >
> >
> >
> >
> >
> > To get on or off this list see list information at
> > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> >
> >
> >
> > -- 
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> >
> >
>
>
>
>
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>


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