Never having played wih a plectrum or used strumming techniques
I did not think about the 'wild strumming' hitting wide of the target  
as it were,
and this being equally true of strumming with fingers.

But in an earler message you mentionned the following, "I find at  
least on the cittern
that the damped string gives a nice percussive sound to the chord."
You appeared to be talking of damping the string after it has been  
struck.
I just misunderstood from this point.

Best
Anthony


Le 1 déc. 06 à 23:56, [EMAIL PROTECTED] a écrit :

> Hi,
>
> To put it clear, I am not talking about sympathetic resonances.
> That is a problem on electric guitars, at high volume.
> But you also see acoustic guitarists dampening when using a plectrum.
>
> I also do not have a 6course lute so I can't test any of this.
>
> But what is MAYBE the case, is that plectrum playing lutenists did  
> use the
> thumb for dampening strings they did not want to sound and that  
> this hand
> position just stayed for some time until more courses made it  
> impossible.
>
> Our problem is that we are trying to reconstruct the start of a  
> story where
> we know what happened at the end. We have a few bits of  
> information, but we
> will always be infleunced by what we know (or at least we know  
> more) about later
> lute playing. There is something quite distateful about early  
> lutenists using
> what we consider to be "bad" technique.
>
> But if a plectrum lutenist (or maybe a strumming "finger" lutenist) 
> wanted to
> play a chord such as C or Eb or D, which did not use the lowest  
> string, the
> safest way to play these chords is to damp the lowest course.
> This would allow him to be a bit more free in his strumming.
>
> It may also be that even when playing single notes that they  
> sometimes used
> quite wild wide strokes to get more volume of for effect and  
> dampening the
> other strings stopped anything sounding that should not.
>
> Also interesting is how long 6 course lutes remained popular. I  
> think that a
> 7th course tuned a tone lower was possible much earlier than it became
> widespread. Maybe they just liked those fat necks so they could put  
> their thumbs in
> that strange position.
>
> But as I said, I don't have a 6 course and rarely play early 16th  
> century
> music, so everything I say is just wild conjecture.
>
> best wishes
> Mark
>
>
> --
>
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