On Apr 21, 2007, at 11:37 AM, Mathias R=F6sel wrote: > ...I especially disliked > Lislevand's stopping of basses so as to stress the notes. Anyway, his > playing is at times very guitaristic
The stopping of the basses is something I tend to associate with pianists when they play Baroque music (whatever "Baroque technique" may be on a piano, I imagine the less said the better), but I found it startling on the theorbo because I didn't expect it. I didn't particularly think RL's playing was guitaristic, except perhaps in his interpretation. In fact, I was thinking his right-hand was almost thumb-under. David Rastall [EMAIL PROTECTED] www.rastallmusic.com -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
