I am glad you mentioned Hurel, Chris.  I want to say that your theorbo CD 
of Hurel is excellent, and I encourage those on this list without a copy 
can get it from the Lute Society of America.  It is a welcome edition to 
recorded theorbo CD's!  Well done!

ed

At 02:36 PM 5/3/2007 -0700, [EMAIL PROTECTED] wrote:
>Nigel,
>
>
>       I'm going to leave the "virtually the same
>instrument" part out of the question for the moment.
>The whole debate over double vs. single string as well
>as Italian vs. French performance practice could get
>ugly.
>
>       I use the essentially the same technique for
>Castaldi, Pittoni, Hurel and de Visee.  What I do is
>basically thumb-over using thumb-index-middle maybe
>75-80% of the time.  The re-entrant tuning of the
>theorbo means that I use the ring finger more
>frequently on theorbo than, say, baroque lute.
>
>       We know that Kapsberger did not use the right
>hand ring finger at all since he planted it along with
>the little finger on the top.  He also uses the % sign
>- meaning some variation of individually-fingered (as
>opposed to strummed or raked) arpeggio depending on
>the number and disposition of notes in the chord - on
>all chords with more than three notes.   He does this
>even on four-note chords that could easily have been
>blocked using the ring finger.  I make a real effort
>not use the ring finger in Kapsberger's music because
>I find that it has a huge effect on the interpretation
>and sound of the music.  I don't remember what
>Piccinini specifies, but the three-finger approach
>seems to work pretty well for everything I've played
>by him, too.
>
>       In general, other than the case of Kapsberger, I
>try not to be too pedantic about it.  I think right
>hand fingering for theorbo needs to be the most
>flexible and indiosyncratic approaches to a lute
>instrument - just look at how many times you end up
>using the index or even ring finger on the strong
>beat!
>
>
>Chris
>
>
>--- Nigel Solomon <[EMAIL PROTECTED]> wrote:
>
> > I have been following the thread of how lute
> > technique changed over the
> > years to suit new instruments and fashion. Does this
> > mean we should not
> > use the same right hand technique to play the
> > theorbo (chitaronne)
> > pieces by Piccinini as for De Viséé over a century
> > later, even though
> > virtually the same instrument is being played?
> >
> > Nigel
> >
> >
> >
> > To get on or off this list see list information at
> >
>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> >
>
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