And don't forget characters like Gorzanis in the 16th.
And Wilson in
the 17th. And Falkenhagen in the 18th century.
I've just started reading a book titled "How Equal
Temperament Ruined Harmony (and Why You Should Care)" by
Ross Duffin (Norton 2007).
==AJN
Boston, Mass.
This week's free download from
Classical Music Library:
Lalo "Symphonie espagnole"
Go to my web page:
http://mysite.verizon.net/arthurjness/
For some free scores, go to:
http://mysite.verizon.net/vzepq31c/arthurjnesslutescores/
----- Original Message -----
From: "Eugene C. Braig IV" <[EMAIL PROTECTED]>
To: "Daniel Winheld" <[EMAIL PROTECTED]>;
<lute@cs.dartmouth.edu>
Sent: Monday, November 05, 2007 10:20 AM
Subject: [LUTE] Re: historical lute stringings
At 06:03 PM 11/4/2007, Daniel Winheld wrote:
Not all guitarists are harmonic bone heads. This guy
has guitars with
interchangeable fingerboards for different
temperaments- and there is
an Iranian guitarist (forget her name) who has
jusdiciously placed
tastini on her guitar for Persian microtonal work.
..And don't forget the "enharmonic" guitar experiments
by characters like
Panormo and Lacote in the 19th c.
Eugene
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