I'm finding this increasingly difficult to follow. On Feb 7, 2009, at 3:33 PM, David Tayler wrote:
> But my idea is much simpler. > Say you have a bunch of lutes in a museum. > Some of them are fakes. But because they are the good fakes, not the > ones that say "Kmart" on them or are made with Ace hardware hinges, > there is absolutely no way to tell which ones are real. Are you saying that some instrument in a museum labeled as a Tieffenbrucker or Hieber is really a copy made in 1850 or 1900? And nobody knows because it's such a good copy? -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
