Please forgive the unfogivable grammar chaos in some of my sentences in
   my earlier mail - I really should always check spelling and grammer
   before sending...
   F

   -----------------------
   Dr. Franz Mechsner
   Zum Kirschberg 40
   D-14806 Belzig OT Borne
   franz.mechs...@gmx.de
   +49(0)33841-441362


   Gesendet: Freitag, 23. August 2013 um 08:55 Uhr
   Von: "Franz Mechsner" <franz.mechs...@gmx.de>
   An: "Bruno Correia" <bruno.l...@gmail.com>
   Cc: lute <lute@cs.dartmouth.edu>
   Betreff: [LUTE] Re: Liuto forte
   Dear Bruno,
   I own a guitar made by Mario Gropp and a vihuela by Alexander Batov and
   am very happy with both instruments. I also had a Liuto Forte for
   several years, which I unfortunately had to sell for financial reasons.
   I miss that beautiful instrument a lot.
   First of all, it is a wonderful instrument in its own right, so I
   estimated it highly such as I estimate my guitar and my vihuela. There
   is no need to compare any of these instruments on the cost of the
   others - every of these has something the others have not and the other
   way around, which is trivial of course but has to be told to purists of
   any sort. Recently I've had the privilege to host Andre Burguete who
   invented the instrument. It was pure joy to hear him fill the house
   with his beautiful and tasteful playing, still a wonderful memory. He
   plays with nails but recently developed a playing technique somewhat
   different from Segovia style to serve the possibilities of the Liuto
   Forte best.
   So most importantlyl, the instruments of the Liuto Forte family are
   beautifully crafted and sound beautiful. In that respect they can only
   be praised highly. Really highly, to my humble judgment.
   If you have to classify the sound of a Liuto Forte on a scale between
   early music lute (or vihuela, if you like) on one end and the guitar on
   the other end, it would certainly be closer to the guitar than to the
   early music lute or vihuela, while you can shift the position closer to
   early music instruments when you play the Liuto Forte without nails.
   But to leave it with that one-dimensional judgment of sound
   characteristics would not really do justice to the instrument.
   It has to be said that the Liuto Forte has an astonishing range and
   variability of sound characteristics which can neither be covered by a
   modern guitar nor by a lute. When played with nails, the strings feel
   somewhat softer than guitar strings and can be played with less force.
   This is no wonder as string tension is lower than on a guitar. Overall,
   to my impression a Liuto Forte sounds more transparent, which serves
   polyphony. This is particularly so in the bass range where a guitar
   often (or probably usually) sounds somewhat "thick" and "too strong"
   while a Liuto Forte has more clarity here as well as a better balance
   between bass and treble in my judgment. Not to forget the possibilities
   that open up with the enlarged bass range and the variability made
   possible by the family of instruments.
   One may well say, the lute family is all one needs and be happy with
   this. I have nothing to say against such a stance except that this is
   only spoken from a certain taste and viewpoint which is open to
   discussion to say the least. I myself do much welcome a new family of
   instruments which mirrors the world of lutes in a way the violin family
   mirrors the viol family. I feel quite strange seeing them dismissed in
   a sentence, called them "fake lutes" etc. Couldn't one call, with equal
   right, a modern violin a "fake viol", or a modern guitar a "fake
   guitar" as it is not a Renaissance or Baroque guitar, or a Bach concert
   played by a modern orchestra a "fake concert". There are certainly
   people who do so... I see no reason why I shouldn't love all of these
   instruments and ways of playing music (if well done of course...). As
   said, there's nothing to say against different tastes and viewpoints
   here, but much to say against dogmatic and dismissing viewpoints. (By
   the way, the Liuto Forte team was, awarded the European Innovation
   Award for Musical Instruments in 1999 given by Robert Schuman
   Foundation and the Europaeische Kulturstiftung. So it seems I'm not the
   only one with my high esteem.)
   The Liuto Forte sounds well also without nails. Thus you can play
   romantic music without nails to an astonishing effect. It sounds quite
   intimate and soft. I never played a parlor guitar thus I cannot compare
   but I loved the possibility to use the Liuto Forte in this way which is
   not possible with the modern guitar. You can also play lute music
   without nails which produces - in my view - a sound which quite
   deviates from normal guitar sound and may give more justice to, say,
   Renaissance lute music as a guitar would. I played some English
   Renaissance music without nails in a room filled with about 200 not
   always silent people sitting around tables, on the occasion of a
   Christmas celebration. It worked really well.
   Professional guitarists seem to like, in addition, that Liuto Fortes
   can be well heard in ensembles.
   In sum I would say: if you like the sound a Liuto Forte you can enjoyed
   that beautiful instrument its own right and also play it in concert
   simply because you like it. Depending on what your equipment and needs
   are, there might be opportunities where you might prefer playing a
   Liuto Forte not only for subjective taste reasons but also for
   practical reasons.
   Please take this as the opinion and experience of a non-expert who
   loves music and simply likes the Liuto Forte regarding sound and
   possibilities as well as regarding design.
   Best
   Franz
   -----------------------
   Dr. Franz Mechsner
   Zum Kirschberg 40
   D-14806 Belzig OT Borne
   franz.mechs...@gmx.de
   +49(0)33841-441362
   Gesendet: Freitag, 23. August 2013 um 03:43 Uhr
   Von: "Bruno Correia"
   An: lute
   Betreff: [LUTE] Re: Liuto forte
   But, do they sound lute like? The samples feature guitarrists playing
   with nails and single strings...
   2013/8/22 [1]r.turov...@gmail.com <[2]r.turov...@gmail.com>
   There are rather poorly designed from the standpoint of visual
   aesthetics. maybe with the exception of theorbo forte.
   The swan neck forte is a particularly funny looking contraption.
   RT
   On 8/22/2013 6:30 PM, John Lenti wrote:
   Don't own one but have borrowed and gigged on. Funny sound, like a
   Steinway classical guitar, but really responsive and loud. I think
   there is a place for them in this world.
   Sent from my Ouija board
   On Aug 22, 2013, at 6:05 PM, "David Tayler"
   <[3]vidan...@sbcglobal.net> wrote:
   If they called it a fake lute, it would not sell as well.
   __________________________________________________________________
   From: Bruno Correia <[4]bruno.l...@gmail.com>
   To: List LUTELIST <[5]lute@cs.dartmouth.edu>
   Sent: Thursday, August 22, 2013 1:41 PM
   Subject: [LUTE] Liuto forte
   Would anybody be willing to share his own experience with liuto
   forte
   instruments?
   --
   Bruno Figueiredo
   Pesquisador autonomo da pratica e interpretac,ao
   historicamente informada no alaude e teorba.
   Doutor em Praticas Interpretativas pela
   Universidade Federal do Estado do Rio de Janeiro.
   --
   To get on or off this list see list information at
   [1][6][1][1]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   --
   References
   1. [7][2][2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   --
   Bruno Figueiredo
   Pesquisador autonomo da pratica e interpretac,ao
   historicamente informada no alaude e teorba.
   Doutor em Praticas Interpretativas pela
   Universidade Federal do Estado do Rio de Janeiro.
   --
   References
   1. mailto:r.turov...@gmail.com
   2. mailto:r.turov...@gmail.com
   3. mailto:vidan...@sbcglobal.net
   4. mailto:bruno.l...@gmail.com
   5. mailto:lute@cs.dartmouth.edu
   6. [3][3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   7. [4][4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   References
   1. [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   2. [6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   3. [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   4. [8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

References

   1. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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