Dear Chris,
Indeed Chris, as I also pointed out earlier, there is much variability
in appearances though the tablatures (where extant) are generally clear
(regarding the tuning required). But you ask about the point of this
conversation. It is in the email query sent earlier to DT, which
doesn't seem to have been addressed and which asked:
'You write that "The terms "arciliuto" and "tiorba" are high-degree
interchangeable."
What's your evidence for this? The two instruments were tuned in
different ways: theorboes having re-entrant tuning - generally
single re-entrant if small enough or double re-entrant if
large; whereas archlutes retained the highest course at the
upper octave.
Or are you suggesting the occasional possibility that a writer may
have used the word archlute in a generic sense: implying any lute
instrument with extended basses?
regards,
Martyn
__________________________________________________________________
From: Christopher Wilke <chriswi...@yahoo.com>
To: "hodgsonmar...@yahoo.co.uk" <hodgsonmar...@yahoo.co.uk>;
"lute@cs.dartmouth.edu" <lute@cs.dartmouth.edu>
Sent: Tuesday, 28 January 2014, 13:14
Subject: RE: [LUTE] Re: archlute/theorbo in Corelli's Op. 1
Iconographic sources depict theorbos and/or archlutes with highly
variable numbers of courses and stringing setups. Unfortunately we have
no way of knowing how any particular instrument was tuned. Modern gut,
since its characteristics are quiet different from historical gut, does
not provide an empirically reliable metric to determine pitch or tuning
based upon string length.
Beyond that, I'm wondering what exactly the overall point of this
conversation is. If the object is to determine whether certain
composers expected archlute or theorbo to the exclusion of the other,
the historical evidence is inconclusive.
Chris[1]
Sent from Yahoo Mail for iPad
__________________________________________________________________
From: Martyn Hodgson <hodgsonmar...@yahoo.co.uk>;
To: R. Mattes <r...@mh-freiburg.de>; David Tayler
<vidan...@sbcglobal.net>; lute <lute@cs.dartmouth.edu>;
Subject: [LUTE] Re: archlute/theorbo in Corelli's Op. 1
Sent: Tue, Jan 28, 2014 11:35:20 AM
Have a look at:
a) the early sources (Bob Spencer's famous paper still represents a
good summary [2]http://www.vanedwards.co.uk/spencer/html/index.html
);
b) tablatures identified for the two instruments and the tuning
required
MH
__________________________________________________________________
From: R. Mattes <[3]r...@mh-freiburg.de>
To: Martyn Hodgson <[4]hodgsonmar...@yahoo.co.uk>; David Tayler
<[5]vidan...@sbcglobal.net>; lute <[6]lute@cs.dartmouth.edu>
Sent: Tuesday, 28 January 2014, 11:22
Subject: Re: [LUTE] Re: archlute/theorbo in Corelli's Op. 1
On Tue, 28 Jan 2014 09:59:29 +0000 (GMT), Martyn Hodgson wrote
> This doesn't address the point I made to you: that the fundamental
> difference between the archlute and the theorbo is in the manner
> of stringing - theorbos have the top one or two courses lowered
> from nominal; archlutes do not.
Yes, that's how you happen to match a name with a feature set.
The open question is: can we assume that this mapping is historic?
Let me just list some of the possible features that could come to
mind:
1 reentrant tuning
2 low ambitus
3 tuning in "vielle tone" (even if reentrant)
4 extended neck
5 enough open bass strings to put (most of) the bass line
on open strings
6 use of the instrument (orchestra vs. chamber vs. solo)
Your claim is that feature 1 alone defined what was called a
"tiorba"?
IMHO this is wishfull thinking - esp. in places/times where there is
a mixup of instruments used.
Have a look at the early french "theorbe" sources (the first BC
methods).
It's pretty obvious that these prints where meant for instruments in
"vielle tone" (I hope we can all agree on this). So, here the
distinguishing
feature was probably feature 4 and _not_ feature 1. If you look at
the
so-called "theorbo" book from the Goess collection you'll find a
irritating
mixture of pieces for reentrant and non-reentrant tuning (some might
even
be written for single-reentrant tuning).
Also, let's not forget that feature 1 is only really relevant/obvious
to the
player himself - any observer would probably just use the name most
common
to him for an instrument with those _visual_ features.
How do you think Weiss called "his" instrument? If his director
asked:
"Silvius, could we try this aria with you playing fundament on your
theorbo?",
o you really think he would reply: "that's not a theorbo, it's a
Weissophone!"?
With all their love for classifications the baroque has an amazing
tendency
to use terms as hypernyms. So, by he beginning of the galant style
anything
with a low ambitus and/or an extended neck might be labeled "theorbo"
(and
I have a nagging feeling that even a gallichon with extended neck was
called theorbo)
HTH Ralf Mattes
> If you don't think this is the
> case then, to repeat, what's your evidence (ie not merely simple
> assertion) for supposing otherwise? Further, it is widely
> understood that there is great diversity in the configuration and
> shape of these instruments - which is why it is better to identify
> an instrument in relation to its manner of tuning rather than to
> any particular physical feature. MH
__________________________________________________________________
>
> From: David Tayler <[1][7]vidan...@sbcglobal.net>
> To: lute <[2][8]lute@cs.dartmouth.edu>
> Sent: Tuesday, 28 January 2014, 1:16
> Subject: [LUTE] Re: archlute/theorbo in Corelli's Op. 1
> Well, the evidence is in the museums--there are more than two
types
> of
> instruments. Therefore, any attempt to categorize the
historical
> lutes
> as two types does not reflect the historical record. If you
> look at all the surviving lutes (I haven't seen all of them,
> but a pretty good percentage over the last 40 years) you will
> see that most of them are different and there are many types and
> variations. The "label" problem is not limited to lutes, it is
> simply the modern opposite of historical practice. The
> biggest difference between the way we look at things and the way a
> 16th or 17th century person would look at things is that we
> prefer uniformity and they preferred diversity. So the modern
> "take" on old instruments is simply a form of acculturation
> based on a 20th or 21st century point of view. Or you could call
> it preferential selection, like collecting art works or favorite
> music works. Preferential selection--collecting things you like
> or think belong together, like a suite of dances-- is of
> course historical, just not the way we do it. Another way to
> look at it: if one "labels" as an archlute an instrument with
> a certain size tuning, you instantly create such an instrument,
> and possibly exclude others. However, if you use a neutral
> label, you can describe an instrument type. So "pluckies", as
> folksy as it sounds, is historically a much more accurate term.,
> and does not cause the disappearance of an instrument or group
> of instruments, like the double strung "theorbo". One could try
> to argue that the terms are highly specific, and I would then
> simply direct people to the the lists of CDs over the last forty
> years, and you can see different fads about what is an archlute,
> chitarrone and so on. It clearly changes over time because it is an
> ongoing process of acculturation, or follows market driven ideas
> of what will sell or what is popular. And there is nothing wrong
> with that, it just is pretty far from the original sources.
> One of the surprising things about the internet is that now a lot
> of unusual and possibly historical instrument designs are
> resurfacing, owing to these same market forces. dt
__________________________________________________________________
> From: Martyn Hodgson <[1][3][9]hodgsonmar...@yahoo.co.uk>
> To: David Tayler <[2][4][10]vidan...@sbcglobal.net>; lute
> <[3][5][11]lute@cs.dartmouth.edu>
> Sent: Saturday, January 25, 2014 1:39 AM
> Subject: Re: [LUTE] Re: archlute/theorbo in Corelli's Op. 1
> You write that
> 'The terms "arciliuto" and "tiorba" are high-degree
> interchangeable.'
> What's your evidence for this? The two instruments were
tuned
> in different ways: theorboes having re-entrant tuning - single
> re-entrant if small enough or double reentrant if large;
> whereas archlutes retained the highest course at the upper
> octave. Or are you suggesting the occasional possibility that a
> writer may have used the word archlute in a generic sense:
> implying any lute instrument with extended basses? MH
> __________________________________________________________________
> From: David Tayler <[4][6][12]vidan...@sbcglobal.net> To:
lute
<[5][7][13]lute@cs.dartmouth.edu>
> Sent: Friday, 24 January 2014, 19:14
> Subject: [LUTE] Re: archlute/theorbo in Corelli's Op. 1
> The terms "arciliuto" and "tiorba" are high-degree
interchangeable.
> That is, they are not low or medium, and they are also not
> completely
> interchangeable (since they are sometimes used together).
One
> could argue that they are "medium" instead of "high", but it
> would be difficult to show this based on the sources.
> The correlation is the inverse of the degree, so in other words it
> is possible that the difference in terms may "mean"
something,
> but of a low order of probability. Because of the
> degree order, it isn't really possible to assign uses in
> a general way, only in specific cases. For every case, there will
> be an exception. There are certainly some interesting
> specific cases. So either "what we call" the theorbo or the
> archlute could be used to play just the single notes of a
> bass part, or chords, or continuo, or any of a million
> shades in between, as well as the instruments of the lute
> family that we do not normally include in our modern designation
of
> archlute and theorbo--that is, instruments without modern
labels.
> However, in these specific cases, like obbligato parts,
there
> is no reason to believe that there was one type of archlute,
> so then you get into label variations. The variations are
> also the inverse of correlation--that is, to make a conclusion
> about how an instrument was used, you would have to
> reconcile the variants. There are a few pieces where you can
> make a correlation based on range, but these would have to
> be fully written out obbligato parts, not bass parts, and
> even these could well be played on other instruments. If you
> look at "list label-sets", like encyclopedias or books of
> measurements, each instrument is assigned a label; however, there
> is no other way to make a list, so there is no reason to
> believe that the label applied reflected common practice-
> -which explains why the different label-lists use different
> labels. You can't have a list composed of duplicates. This
> explains why the lists exist, and also explains why the lists
> are different. 20th and 21st century mindsets require a label
> for every instrument; however, the renaissance and baroque
> mindsets required a small number of labels for a large
> number of instruments. By applying the small number of labels
> categorically, the effect is simply to exclude the larger
> number of instruments from the general discussion. For example
> the chitarrone has disappeared, because its label was changed.
> Same is true for the viola. To exist in the renaissance and
> baroque mindset, one must learn to think in the
> instrumentarium of a small number of terms and a large number
> of instruments. And within these terms, family has priority, So
> "lute" or "flute" or "viola" first refers to a family of
> instruments, and terms like archlute have a familial
> tendency. Erase that, and the interconnections disappear.
> That's why we have fewer lute types today than in the past, as
> well as fewer instrument types, with the exception of
> "sideways marketing", where an instrument is rediscovered or
> elevated for marketing purposes in a crowded subfield.
> Marketing definitely creates more labels. dt
>
>
__________________________________________________________________
> From: Gary R. Boye <[1][6][8][14]boy...@appstate.edu>
> To: jean-michel Catherinot
<[2][7][9][15]jeanmichel.catheri...@yahoo.com>;
> Martyn
> Hodgson <[3][8][10][16]hodgsonmar...@yahoo.co.uk>; R. Mattes
> <[4][9][11][17]r...@mh-freiburg.de>; Ed
> Durbrow <[5][10][12][18]edurb...@gmail.com>; LuteNet list
> <[6][11][13][19]lute@cs.dartmouth.edu>
> Sent: Friday, January 24, 2014 6:19 AM
> Subject: [LUTE] archlute/theorbo in Corelli's Op. 1
> Dear Jean Michel,
> Yes; interesting! We are only talking about Corelli's Op. 1
(Opp.
> 2-4
> all call for archlute according to surviving editions--no
mention
> of
> theorbo there). I suppose this could either reflect common
practice
> in
> a city (Rome vs. Bologna/Venice) or publisher preference. Or
just
> happenstance--what editions the publishers happened to copy.
The
> raw
> numbers:
> There are 15 known editions of Op. 1, published between
1681-1735.
> Archlute is called for in the first edition in Rome, as well
> as 2 other Roman editions, 1 edition from Modena, and 3
> editions from London. Theorbo ("tiorba") is called for in 7
> editions, published between 1682-1707. 5 of the editions are
> from Bologna (printed by G. Monti or Silvani) and 2 are from
> Venice. There is an additional Dutch edition by Roger that
> calls for both instruments in a catalog published later. This
> seems to support Martyn's statement about different uses for
> the instruments in this music (violone vs. figured bass parts)
> . There are some that see a very limited role for the archlute
> in general, mainly in Rome. But in addition to Corelli, the
archlute
> was
> called for in title pages of other's music outside of Rome
> more often than in Rome itself: London 21 Rome
> 10 Amsterdam 10 Venice 6 Bologna 5 Modena 3
> Antwerp 1 Florence 1 Lucca 1 [To search on my
> web page, go to:
>
>
[1][7][12]http://applications.library.appstate.edu/music/lute/continuo.
> html
> and CRTL + F "archlute"]
> This is not counting the solo music in tablature, just the
continuo
> sources. For a list of the solo music for archlute, see:
>
>
[2][8]http://applications.library.appstate.edu/music/lute/C17/archlute.
> htm
> l
> So I have some trouble limiting the archlute to Rome, but
perhaps
> it
> starts there . . .
> Gary
> On 1/24/2014 2:51 AM, jean-michel Catherinot wrote:
> > Dear Gary ,
> > Here are the links to the first editions, on IMSLP.
Both
> are published > in Roma, and mention arcileuto. The
> publications you cited are all not > in Roma.
> This fact is indeed interessant, isn'it? >
[3][9][13][14][20]http://imslp.org/wiki/Special:ImagefromIndex/280129
> >
[4][10][14][15][21]http://imslp.org/wiki/Special:ImagefromIndex/280136
> > Le Jeudi 23 janvier 2014 17h45, Martyn Hodgson
> > <[5][11][15][16][22]hodgsonmar...@yahoo.co.uk> a ecrit
:
> > Dear Gary,
> > Indeed, and often overlooked (tho' I suspect not by
> you) is that > theorbo is an alternative to the bass
> violin and not the principal > figured bass
> continuo instrument so a stratospheric higher register >
> is > not required. > rgds >
> Martyn >
__________________________________________________________________
> -- Dr. Gary R. Boye
> Professor and Music Librarian
> Appalachian State University
> To get on or off this list see list information at
>
[6][12][16][17][23]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.ht
ml
> --
> References
> 1.
>
>
[13][17][18][24]http://applications.library.appstate.edu/music/lute/con
tinu
o.ht
> ml
> 2.
>
>
[14][18][19][25]http://applications.library.appstate.edu/music/lute/C17
/arc
hlut
> e.ht
> ml
> 3.
[15][19][20][26]http://imslp.org/wiki/Special:ImagefromIndex/280129
> 4.
[16][20][21][27]http://imslp.org/wiki/Special:ImagefromIndex/280136
> 5. mailto:[17][21][22][28]hodgsonmar...@yahoo.co.uk
>
> 6.
[18][22][23][29]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> --
> References
> 1. mailto:[23][24][30]boy...@appstate.edu
> 2. mailto:[24][25][31]jeanmichel.catheri...@yahoo.com
> 3. mailto:[25][26][32]hodgsonmar...@yahoo.co.uk
> 4. mailto:[26][27][33]r...@mh-freiburg.de
> 5. mailto:[27][28][34]edurb...@gmail.com
> 6. mailto:[28][29][35]lute@cs.dartmouth.edu
> 7.
>
[29][30][36]http://applications.library.appstate.edu/music/lute/continu
o.ht
ml
> 8.
>
[30][31][37]http://applications.library.appstate.edu/music/lute/C17/arc
hlut
e.ht
> m
> 9.
[31][32][38]http://imslp.org/wiki/Special:ImagefromIndex/280129
> 10.
[32][33][39]http://imslp.org/wiki/Special:ImagefromIndex/280136
> 11. mailto:[33][34][40]hodgsonmar...@yahoo.co.uk
> 12.
[34][35][41]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 13.
>
[35][36][42]http://applications.library.appstate.edu/music/lute/continu
o.ht
ml
> 14.
>
[36][37][43]http://applications.library.appstate.edu/music/lute/C17/arc
hlut
e.ht
> ml
> 15.
[37][38][44]http://imslp.org/wiki/Special:ImagefromIndex/280129
> 16.
[38][39][45]http://imslp.org/wiki/Special:ImagefromIndex/280136
> 17. mailto:[39][40][46]hodgsonmar...@yahoo.co.uk
> 18.
[40][41][47]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
> --
>
> References
>
> 1. mailto:[42][48]hodgsonmar...@yahoo.co.uk
> 2. mailto:[43][49]vidan...@sbcglobal.net
> 3. mailto:[44][50]lute@cs.dartmouth.edu
> 4. mailto:[45][51]vidan...@sbcglobal.net
> 5. mailto:[46][52]lute@cs.dartmouth.edu
> 6. mailto:[47][53]boy...@appstate.edu
> 7. mailto:[48][54]jeanmichel.catheri...@yahoo.com
> 8. mailto:[49][55]hodgsonmar...@yahoo.co.uk
> 9. mailto:[50][56]r...@mh-freiburg.de
> 10. mailto:[51][57]edurb...@gmail.com
> 11. mailto:[52][58]lute@cs.dartmouth.edu
>
> 12.
[53][59]http://applications.library.appstate.edu/music/lute/continuo.ht
ml
> 13. [54][60]http://imslp.org/wiki/Special:ImagefromIndex/280129
> 14. [55][61]http://imslp.org/wiki/Special:ImagefromIndex/280136
> 15. mailto:[56][62]hodgsonmar...@yahoo.co.uk
> 16. [57][63]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
> 17.
[58][64]http://applications.library.appstate.edu/music/lute/continuo.ht
ml
>
> 18.
[59][65]http://applications.library.appstate.edu/music/lute/C17/archlut
e.ht
> 19. [60][66]http://imslp.org/wiki/Special:ImagefromIndex/280129
> 20. [61][67]http://imslp.org/wiki/Special:ImagefromIndex/280136
> 21. mailto:[62][68]hodgsonmar...@yahoo.co.uk
> 22. [63][69]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 23. mailto:[64][70]boy...@appstate.edu
> 24. mailto:[65][71]jeanmichel.catheri...@yahoo.com
> 25. mailto:[66][72]hodgsonmar...@yahoo.co.uk
> 26. mailto:[67][73]r...@mh-freiburg.de
> 27. mailto:[68][74]edurb...@gmail.com
> 28. mailto:[69][75]lute@cs.dartmouth.edu
>
> 29.
[70][76]http://applications.library.appstate.edu/music/lute/continuo.ht
ml
>
> 30.
[71][77]http://applications.library.appstate.edu/music/lute/C17/archlut
e.ht
m
> 31. [72][78]http://imslp.org/wiki/Special:ImagefromIndex/280129
> 32. [73][79]http://imslp.org/wiki/Special:ImagefromIndex/280136
> 33. mailto:[74][80]hodgsonmar...@yahoo.co.uk
> 34. [75][81]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
> 35.
[76][82]http://applications.library.appstate.edu/music/lute/continuo.ht
ml
>
> 36.
[77][83]http://applications.library.appstate.edu/music/lute/C17/archlut
e.ht
ml
> 37. [78][84]http://imslp.org/wiki/Special:ImagefromIndex/280129
> 38. [79][85]http://imslp.org/wiki/Special:ImagefromIndex/280136
> 39. mailto:[80][86]hodgsonmar...@yahoo.co.uk
> 40. [81][87]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
R. Mattes -
Hochschule fuer Musik Freiburg
[82][88]r...@inm.mh-freiburg.de
--
References
1. mailto:[89]vidan...@sbcglobal.net
2. mailto:[90]lute@cs.dartmouth.edu
3. mailto:[91]hodgsonmar...@yahoo.co.uk
4. mailto:[92]vidan...@sbcglobal.net
5. mailto:[93]lute@cs.dartmouth.edu
6. mailto:[94]vidan...@sbcglobal.net
7. mailto:[95]lute@cs.dartmouth.edu
8. mailto:[96]boy...@appstate.edu
9. mailto:[97]jeanmichel.catheri...@yahoo.com
10. mailto:[98]hodgsonmar...@yahoo.co.uk
11. mailto:[99]r...@mh-freiburg.de
12. mailto:[100]edurb...@gmail.com
13. mailto:[101]lute@cs.dartmouth.edu
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16. mailto:[104]hodgsonmar...@yahoo.co.uk
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18.
[106]http://applications.library.appstate.edu/music/lute/continuo.ht
19.
[107]http://applications.library.appstate.edu/music/lute/C17/archlut
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22. mailto:[110]hodgsonmar...@yahoo.co.uk
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24. mailto:[112]boy...@appstate.edu
25. mailto:[113]jeanmichel.catheri...@yahoo.com
26. mailto:[114]hodgsonmar...@yahoo.co.uk
27. mailto:[115]r...@mh-freiburg.de
28. mailto:[116]edurb...@gmail.com
29. mailto:[117]lute@cs.dartmouth.edu
30.
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31.
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t
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34. mailto:[122]hodgsonmar...@yahoo.co.uk
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36.
[124]http://applications.library.appstate.edu/music/lute/continuo.html
37.
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t
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40. mailto:[128]hodgsonmar...@yahoo.co.uk
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42. mailto:[130]hodgsonmar...@yahoo.co.uk
43. mailto:[131]vidan...@sbcglobal.net
44. mailto:[132]lute@cs.dartmouth.edu
45. mailto:[133]vidan...@sbcglobal.net
46. mailto:[134]lute@cs.dartmouth.edu
47. mailto:[135]boy...@appstate.edu
48. mailto:[136]jeanmichel.catheri...@yahoo.com
49. mailto:[137]hodgsonmar...@yahoo.co.uk
50. mailto:[138]r...@mh-freiburg.de
51. mailto:[139]edurb...@gmail.com
52. mailto:[140]lute@cs.dartmouth.edu
53.
[141]http://applications.library.appstate.edu/music/lute/continuo.html
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56. mailto:[144]hodgsonmar...@yahoo.co.uk
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58.
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59.
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t
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62. mailto:[150]hodgsonmar...@yahoo.co.uk
63. [151]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
64. mailto:[152]boy...@appstate.edu
65. mailto:[153]jeanmichel.catheri...@yahoo.com
66. mailto:[154]hodgsonmar...@yahoo.co.uk
67. mailto:[155]r...@mh-freiburg.de
68. mailto:[156]edurb...@gmail.com
69. mailto:[157]lute@cs.dartmouth.edu
70.
[158]http://applications.library.appstate.edu/music/lute/continuo.html
71.
[159]http://applications.library.appstate.edu/music/lute/C17/archlute.h
tm
72. [160]http://imslp.org/wiki/Special:ImagefromIndex/280129
73. [161]http://imslp.org/wiki/Special:ImagefromIndex/280136
74. mailto:[162]hodgsonmar...@yahoo.co.uk
75. [163]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
76.
[164]http://applications.library.appstate.edu/music/lute/continuo.html
77.
[165]http://applications.library.appstate.edu/music/lute/C17/archlute.h
tml
78. [166]http://imslp.org/wiki/Special:ImagefromIndex/280129
79. [167]http://imslp.org/wiki/Special:ImagefromIndex/280136
80. mailto:[168]hodgsonmar...@yahoo.co.uk
81. [169]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
82. mailto:[170]r...@inm.mh-freiburg.de
--
References
1. http://overview.mail.yahoo.com/?.src=iOS
2. http://www.vanedwards.co.uk/spencer/html/index.html
3. file://localhost/net/people/lute-arc/L27159-6143TMP.html
4. file://localhost/net/people/lute-arc/L27159-6143TMP.html
5. file://localhost/net/people/lute-arc/L27159-6143TMP.html
6. file://localhost/net/people/lute-arc/L27159-6143TMP.html
7. file://localhost/net/people/lute-arc/L27159-6143TMP.html
8. file://localhost/net/people/lute-arc/L27159-6143TMP.html
9. file://localhost/net/people/lute-arc/L27159-6143TMP.html
10. file://localhost/net/people/lute-arc/L27159-6143TMP.html
11. file://localhost/net/people/lute-arc/L27159-6143TMP.html
12. file://localhost/net/people/lute-arc/L27159-6143TMP.html
13. file://localhost/net/people/lute-arc/L27159-6143TMP.html
14. file://localhost/net/people/lute-arc/L27159-6143TMP.html
15. file://localhost/net/people/lute-arc/L27159-6143TMP.html
16. file://localhost/net/people/lute-arc/L27159-6143TMP.html
17. file://localhost/net/people/lute-arc/L27159-6143TMP.html
18. file://localhost/net/people/lute-arc/L27159-6143TMP.html
19. file://localhost/net/people/lute-arc/L27159-6143TMP.html
20. http://imslp.org/wiki/Special:ImagefromIndex/280129
21. http://imslp.org/wiki/Special:ImagefromIndex/280136
22. file://localhost/net/people/lute-arc/L27159-6143TMP.html
23. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
24. http://applications.library.appstate.edu/music/lute/continu
25. http://applications.library.appstate.edu/music/lute/C17/arc
26. http://imslp.org/wiki/Special:ImagefromIndex/280129
27. http://imslp.org/wiki/Special:ImagefromIndex/280136
28. file://localhost/net/people/lute-arc/L27159-6143TMP.html
29. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
30. file://localhost/net/people/lute-arc/L27159-6143TMP.html
31. file://localhost/net/people/lute-arc/L27159-6143TMP.html
32. file://localhost/net/people/lute-arc/L27159-6143TMP.html
33. file://localhost/net/people/lute-arc/L27159-6143TMP.html
34. file://localhost/net/people/lute-arc/L27159-6143TMP.html
35. file://localhost/net/people/lute-arc/L27159-6143TMP.html
36. http://applications.library.appstate.edu/music/lute/continuo.ht
37. http://applications.library.appstate.edu/music/lute/C17/archlut
38. http://imslp.org/wiki/Special:ImagefromIndex/280129
39. http://imslp.org/wiki/Special:ImagefromIndex/280136
40. file://localhost/net/people/lute-arc/L27159-6143TMP.html
41. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
42. http://applications.library.appstate.edu/music/lute/continuo.ht
43. http://applications.library.appstate.edu/music/lute/C17/archlut
44. http://imslp.org/wiki/Special:ImagefromIndex/280129
45. http://imslp.org/wiki/Special:ImagefromIndex/280136
46. file://localhost/net/people/lute-arc/L27159-6143TMP.html
47. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
48. file://localhost/net/people/lute-arc/L27159-6143TMP.html
49. file://localhost/net/people/lute-arc/L27159-6143TMP.html
50. file://localhost/net/people/lute-arc/L27159-6143TMP.html
51. file://localhost/net/people/lute-arc/L27159-6143TMP.html
52. file://localhost/net/people/lute-arc/L27159-6143TMP.html
53. file://localhost/net/people/lute-arc/L27159-6143TMP.html
54. file://localhost/net/people/lute-arc/L27159-6143TMP.html
55. file://localhost/net/people/lute-arc/L27159-6143TMP.html
56. file://localhost/net/people/lute-arc/L27159-6143TMP.html
57. file://localhost/net/people/lute-arc/L27159-6143TMP.html
58. file://localhost/net/people/lute-arc/L27159-6143TMP.html
59. http://applications.library.appstate.edu/music/lute/continuo.html
60. http://imslp.org/wiki/Special:ImagefromIndex/280129
61. http://imslp.org/wiki/Special:ImagefromIndex/280136
62. file://localhost/net/people/lute-arc/L27159-6143TMP.html
63. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
64. http://applications.library.appstate.edu/music/lute/continuo.html
65. http://applications.library.appstate.edu/music/lute/C17/archlute.ht
66. http://imslp.org/wiki/Special:ImagefromIndex/280129
67. http://imslp.org/wiki/Special:ImagefromIndex/280136
68. file://localhost/net/people/lute-arc/L27159-6143TMP.html
69. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
70. file://localhost/net/people/lute-arc/L27159-6143TMP.html
71. file://localhost/net/people/lute-arc/L27159-6143TMP.html
72. file://localhost/net/people/lute-arc/L27159-6143TMP.html
73. file://localhost/net/people/lute-arc/L27159-6143TMP.html
74. file://localhost/net/people/lute-arc/L27159-6143TMP.html
75. file://localhost/net/people/lute-arc/L27159-6143TMP.html
76. http://applications.library.appstate.edu/music/lute/continuo.html
77. http://applications.library.appstate.edu/music/lute/C17/archlute.ht
78. http://imslp.org/wiki/Special:ImagefromIndex/280129
79. http://imslp.org/wiki/Special:ImagefromIndex/280136
80. file://localhost/net/people/lute-arc/L27159-6143TMP.html
81. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
82. http://applications.library.appstate.edu/music/lute/continuo.html
83. http://applications.library.appstate.edu/music/lute/C17/archlute.ht
84. http://imslp.org/wiki/Special:ImagefromIndex/280129
85. http://imslp.org/wiki/Special:ImagefromIndex/280136
86. file://localhost/net/people/lute-arc/L27159-6143TMP.html
87. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
88. file://localhost/net/people/lute-arc/L27159-6143TMP.html
89. file://localhost/net/people/lute-arc/L27159-6143TMP.html
90. file://localhost/net/people/lute-arc/L27159-6143TMP.html
91. file://localhost/net/people/lute-arc/L27159-6143TMP.html
92. file://localhost/net/people/lute-arc/L27159-6143TMP.html
93. file://localhost/net/people/lute-arc/L27159-6143TMP.html
94. file://localhost/net/people/lute-arc/L27159-6143TMP.html
95. file://localhost/net/people/lute-arc/L27159-6143TMP.html
96. file://localhost/net/people/lute-arc/L27159-6143TMP.html
97. file://localhost/net/people/lute-arc/L27159-6143TMP.html
98. file://localhost/net/people/lute-arc/L27159-6143TMP.html
99. file://localhost/net/people/lute-arc/L27159-6143TMP.html
100. file://localhost/net/people/lute-arc/L27159-6143TMP.html
101. file://localhost/net/people/lute-arc/L27159-6143TMP.html
102. http://imslp.org/wiki/Special:ImagefromIndex/280129
103. http://imslp.org/wiki/Special:ImagefromIndex/280136
104. file://localhost/net/people/lute-arc/L27159-6143TMP.html
105. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
106. http://applications.library.appstate.edu/music/lute/continuo.ht
107. http://applications.library.appstate.edu/music/lute/C17/archlut
108. http://imslp.org/wiki/Special:ImagefromIndex/280129
109. http://imslp.org/wiki/Special:ImagefromIndex/280136
110. file://localhost/net/people/lute-arc/L27159-6143TMP.html
111. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
112. file://localhost/net/people/lute-arc/L27159-6143TMP.html
113. file://localhost/net/people/lute-arc/L27159-6143TMP.html
114. file://localhost/net/people/lute-arc/L27159-6143TMP.html
115. file://localhost/net/people/lute-arc/L27159-6143TMP.html
116. file://localhost/net/people/lute-arc/L27159-6143TMP.html
117. file://localhost/net/people/lute-arc/L27159-6143TMP.html
118. http://applications.library.appstate.edu/music/lute/continuo.html
119. http://applications.library.appstate.edu/music/lute/C17/archlute.ht
120. http://imslp.org/wiki/Special:ImagefromIndex/280129
121. http://imslp.org/wiki/Special:ImagefromIndex/280136
122. file://localhost/net/people/lute-arc/L27159-6143TMP.html
123. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
124. http://applications.library.appstate.edu/music/lute/continuo.html
125. http://applications.library.appstate.edu/music/lute/C17/archlute.ht
126. http://imslp.org/wiki/Special:ImagefromIndex/280129
127. http://imslp.org/wiki/Special:ImagefromIndex/280136
128. file://localhost/net/people/lute-arc/L27159-6143TMP.html
129. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
130. file://localhost/net/people/lute-arc/L27159-6143TMP.html
131. file://localhost/net/people/lute-arc/L27159-6143TMP.html
132. file://localhost/net/people/lute-arc/L27159-6143TMP.html
133. file://localhost/net/people/lute-arc/L27159-6143TMP.html
134. file://localhost/net/people/lute-arc/L27159-6143TMP.html
135. file://localhost/net/people/lute-arc/L27159-6143TMP.html
136. file://localhost/net/people/lute-arc/L27159-6143TMP.html
137. file://localhost/net/people/lute-arc/L27159-6143TMP.html
138. file://localhost/net/people/lute-arc/L27159-6143TMP.html
139. file://localhost/net/people/lute-arc/L27159-6143TMP.html
140. file://localhost/net/people/lute-arc/L27159-6143TMP.html
141. http://applications.library.appstate.edu/music/lute/continuo.html
142. http://imslp.org/wiki/Special:ImagefromIndex/280129
143. http://imslp.org/wiki/Special:ImagefromIndex/280136
144. file://localhost/net/people/lute-arc/L27159-6143TMP.html
145. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
146. http://applications.library.appstate.edu/music/lute/continuo.html
147. http://applications.library.appstate.edu/music/lute/C17/archlute.ht
148. http://imslp.org/wiki/Special:ImagefromIndex/280129
149. http://imslp.org/wiki/Special:ImagefromIndex/280136
150. file://localhost/net/people/lute-arc/L27159-6143TMP.html
151. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
152. file://localhost/net/people/lute-arc/L27159-6143TMP.html
153. file://localhost/net/people/lute-arc/L27159-6143TMP.html
154. file://localhost/net/people/lute-arc/L27159-6143TMP.html
155. file://localhost/net/people/lute-arc/L27159-6143TMP.html
156. file://localhost/net/people/lute-arc/L27159-6143TMP.html
157. file://localhost/net/people/lute-arc/L27159-6143TMP.html
158. http://applications.library.appstate.edu/music/lute/continuo.html
159. http://applications.library.appstate.edu/music/lute/C17/archlute.htm
160. http://imslp.org/wiki/Special:ImagefromIndex/280129
161. http://imslp.org/wiki/Special:ImagefromIndex/280136
162. file://localhost/net/people/lute-arc/L27159-6143TMP.html
163. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
164. http://applications.library.appstate.edu/music/lute/continuo.html
165. http://applications.library.appstate.edu/music/lute/C17/archlute.html
166. http://imslp.org/wiki/Special:ImagefromIndex/280129
167. http://imslp.org/wiki/Special:ImagefromIndex/280136
168. file://localhost/net/people/lute-arc/L27159-6143TMP.html
169. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
170. file://localhost/net/people/lute-arc/L27159-6143TMP.html
