jiust play in the concertino, not in the "grosso"...
   Le Dimanche 16 mars 2014 19h37, Christopher Stetson
   <christophertstet...@gmail.com> a ecrit :
     @trj: A fist bump.
     On Sun, Mar 16, 2014 at 12:36 PM, <[1][1]theoj89...@aol.com> wrote:
       In the mid '80s, I was hired to play renaissance lute at some
       company's holiday party, and I was instructed to show up in costume
       (I had recently done a Twelfth Night in costume - and yes, there
       were tights). I arrived at the address and entered a large crowded
       party room with a disc jockey, sound system above 100 decibels
       pounding away the cheesiest disco, black lights, mirror ball; the
       works. I found the organizer and told her that there must have been
       some misunderstanding. She told the, no - she wanted me to dance
       around the dance floor with my lute and pretend like I was playing
       (my mind was quickly filled with images of a drunken reveler
       smashing into my lute and scattering splinters of wood across the
       parquet dance floor). Instead, I quietly packed up and left through
       the backdoor. Unexpectedly and to my pleasant surprise, I received
       my check for the entire agreed amount a week later. trj
     -----Original Message-----
     From: Edward Chrysogonus Yong <[2][2]edward.y...@gmail.com>
     To: Lute List List <[3][3]lute@cs.dartmouth.edu>
     Sent: Sun, Mar 16, 2014 7:54 am
     Subject: [LUTE] Ornamental Lutes
     dear collective wisdom,
       so i was asked to play continuo for a HACURndel Concerto Grosso and
       spent some time
     working it out. at the first rehearsal i discover that the continuo
     line is also
     being played by 3 violoncelli, an electronic harpsichord, and a
   double
     bass all
     'playing out'.
     all of these are modern instruments, played aggressively by players
     more
     accustomed to symphonic music. full chords on my large archlute and
     twiddling
     nonstop means i am audible to the celli and to the conductor. the
   tutti
     violins
     on the other side of the semicircle have said they can't really hear
     me, so i
     wonder if i'd even be heard by the audience.
     i'm sure other lute players have done gigs like this, so what does
   one
     do in
     situations where one's lute seems largely ornamental? do i just make
     sure i look
     pretty?
     Edward
     ========
     II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2
     IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
     HA| litterA| electronicA| ab iPhono missA| sunt.
     aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea
     This e-mail was sent from my iPhone.
     To get on or off this list see list information at
       [4][4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       --
     --
   References
     1. mailto:[5]theoj89...@aol.com
     2. mailto:[6]edward.y...@gmail.com
     3. mailto:[7]lute@cs.dartmouth.edu
     4. [8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:theoj89...@aol.com
   2. mailto:edward.y...@gmail.com
   3. mailto:lute@cs.dartmouth.edu
   4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   5. mailto:theoj89...@aol.com
   6. mailto:edward.y...@gmail.com
   7. mailto:lute@cs.dartmouth.edu
   8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

Reply via email to