Further to this: in the Pesori many numbered digital pages are clearly out of order (perhaps when last bound) - does anyone have the correct order? Some sequences with just text can be readily identified but not so easy are the sheets containing music. MH
----- Forwarded Message ----- From: Martyn Hodgson <hodgsonmar...@yahoo.co.uk> To: Monica Hall <mjlh...@tiscali.co.uk>; Gary R. Boye <boy...@appstate.edu> Cc: Lutelist <lute@cs.dartmouth.edu>; Early Guitar Dmth <early-gui...@cs.dartmouth.edu> Sent: Wednesday, 4 March 2015, 10:00 Subject: Re: [LUTE] Re: Two alfabeto prints (Pesaro Abbatessa) New UR Research Publications for dates: 01/21/2015 - 01/22/2015 I'm sure you're right Monica: many pieces may well need a bit of 'revision' to reach what Pesori was perhaps really trying to put across in his Toccate. Also interesting in the Pesori are the homilies, dedications, responses and the like and also the list of subscribers - I haven't spotted any other guitarists or even lutenists amongst them... Regarding the date: I have c. 1648 for his Opera Seconda (Lo Scrigno Armonico) so would c. 1645 be about right for this (presumably first) work? Martyn __________________________________________________________________ From: Monica Hall <mjlh...@tiscali.co.uk> To: Gary R. Boye <boy...@appstate.edu> Cc: Lutelist <lute@cs.dartmouth.edu> Sent: Wednesday, 4 March 2015, 8:43 Subject: [LUTE] Re: Two alfabeto prints (Pesaro Abbatessa) New UR Research Publications for dates: 01/21/2015 - 01/22/2015 The problem with some of these books seems to be that their authors were not sufficently musically literate to notate their music coherantly particularly as regards rhythm and metre. it's actually Pesori not Pesaro whilst we are at it isn't it. Monica ----- Original Message ----- From: "Gary R. Boye" <[1]boy...@appstate.edu> To: "WALSH STUART" <[2]s.wa...@ntlworld.com>; "AJN" <[3]arthurjn...@verizon.net>; <[4]lute@cs.dartmouth.edu> Sent: Tuesday, March 03, 2015 11:11 PM Subject: [LUTE] Re: Two alfabeto prints (Pesaro Abbatessa) New UR Research Publications for dates: 01/21/2015 - 01/22/2015 > The relationship of this book to other Pesaro tablatures is complex; I > hope to publish a web page with information on them soon. I visited > Rochester in November 2013 and moved these two tablatures and a few other > things up in the queue; it took them awhile but they came up in January. > > As for quality of music, well, it's Pesaro. I keep waiting for him to find > his voice and be more than historically interesting, but in vain . . . But > I wouldn't say it is unplayable, on the whole, just "clunky" (to use a > non-musicological term). > > Gary > > -- > Dr. Gary R. Boye > Professor and Music Librarian > Erneston Music Library > Appalachian State University > > > On 3/3/2015 5:42 PM, WALSH STUART wrote: >> Very interesting. >> >> The second one has lots of 'mixed tab' too. I don't know about the >> alfabeto pieces but the mixed tab pieces look like another publication by >> Pesaro: on the face of it, utterly unplayable gibberish. Yet nicely >> printed with drawings etc. Very strange in that it's hard to see what >> players of the time could have done with it. >> >> >> Stuart >>> Forgot to send this. >>> >>> ----------Original Message---------- >>> From: [1][5]nore...@ur.rochester.edu >>> Date: Jan 22, 2015 1:04:27 AM >>> Subject: New UR Research Publications for dates: 01/21/2015 - >>> 01/22/2015 >>> To: [2][6]arthurjn...@verizon.net >>> >>> New publications are available in the UR Research collections you >>> have >>> subscribed to >>> New publications in Musical Scores: 2 >>> Publication Name: Toccate di Chitarriglia Oue con cinque bellissimi >>> ordini descrita si vede vna facilissima Regola, per apprendere il >>> modo, >>> di suonare la Chitarriglia di Spagna. Nel primo. Col tocco della >>> mano, >>> vn inuentione, di fare tutte le lettere; senza andare alle Scuole. >>> Nel >>> secondo. Vna facilissima Regola per accordare senza Maestro. Nel >>> terzo. >>> Vaghissime, ed armoniose suonate, al modo Italiano, Spagnuolo, & >>> Francese. Nel qvarto, et nel qvinto. Alcuni vaghissimi scherzi di >>> Penna; opera cvriosa, e dilettevole .. >>> URL: >>> [3]https://urresearch.rochester.edu/institutionalPublicationPublicView. >>> action?institutionalItemId(656&versionNumber=1 >>> Author:Pesori, Stefano >>> Publication Name: Ghirlanda di varii fiori, overo, intavolatvra di >>> ghitarra spagnvola, doue che da se stesso ciascuno potrA!a imparare >>> con >>> grandissima facilitA!a, e breuita >>> URL: >>> [4]https://urresearch.rochester.edu/institutionalPublicationPublicView. >>> action?institutionalItemId(655&versionNumber=1 >>> Composer:Abbatessa, Giovanni, Battista >>> Enjoy! >>> Questions/problems? let us know: [5][7]urresearch-h...@rochester.edu >>> >>> References >>> >>> 1. mailto:[8]nore...@ur.rochester.edu >>> 2. mailto:[9]arthurjn...@verizon.net >>> 3. >>> [10]https://urresearch.rochester.edu/institutionalPublicationPublicView .action?institutionalItemId(656&versionNumber=1 >>> 4. >>> [11]https://urresearch.rochester.edu/institutionalPublicationPublicView .action?institutionalItemId(655&versionNumber=1 >>> 5. mailto:[12]urresearch-h...@rochester.edu >>> >>> >>> To get on or off this list see list information at >>> [13]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >>> >> >> >> --- >> This email has been checked for viruses by Avast antivirus software. >> [14]http://www.avast.com >> >> > > -- References 1. mailto:boy...@appstate.edu 2. mailto:s.wa...@ntlworld.com 3. mailto:arthurjn...@verizon.net 4. mailto:lute@cs.dartmouth.edu 5. mailto:nore...@ur.rochester.edu 6. mailto:arthurjn...@verizon.net 7. mailto:urresearch-h...@rochester.edu 8. mailto:nore...@ur.rochester.edu 9. mailto:arthurjn...@verizon.net 10. https://urresearch.rochester.edu/institutionalPublicationPublicView.action?institutionalItemId(656&versionNumber=1 11. https://urresearch.rochester.edu/institutionalPublicationPublicView.action?institutionalItemId(655&versionNumber=1 12. mailto:urresearch-h...@rochester.edu 13. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 14. http://www.avast.com/